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            <title type="main">Amusements</title>
            <title type="sub">electronic edition</title>
            <author>Cather, Willa, 1873-1947</author>
            <principal xml:id="awj">Jewell, Andrew, 1975-</principal>
            <editor xml:id="ka_ron">Ronning, Kari, 1949-</editor>
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            <publisher>University of Nebraska&#8211;Lincoln</publisher>
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                  <addrLine>University of Nebraska&#8211;Lincoln</addrLine>
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               <title level="a">Amusements</title>
               <title level="j">Nebraska State Journal</title>
               <author>Willa Cather</author>
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               <date when="1894-04-26">April 26, 1894</date>
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                  <term>District fair--Drama</term>
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         <head type="main">AMUSEMENTS.</head>
         <p>
            <ref type="doc" target="n01084">
               <persName key="Pearson">Pearson's</persName>
            </ref> sporting drama, <ref type="doc" target="n01085">
               <name type="playTitle" key="District Fair, The">"The District Fair,"</name>
            </ref>
was presented to a very thin house at the <ref type="doc" target="n00066">Lansing</ref> last night.  The play was a
regulation melodrama, with a printed synopsis of all the five acts and the
character and purpose of every character printed after their names.  Melodramas
always do that for fear the actors will play so poorly you can't tell the hero
from the villain.  The first act opened on <choice>
               <sic>eraing</sic>
               <corr>erring</corr>
            </choice> youth and his villainous
friend.  Enter "dear old mother"&#8212;God help the poor old mother of melodrama. 
Enter drunken uncle, who steals poor old mother's savings, which are intended
for erring youth.  Enter heavy father, touching dialogue between heavy father
and drunken uncle.  Drunken uncle becomes violent, erring youth rushes in to
assault him, but heavy father protects his brother.  Curtain.  Thus ended the
first lesson.  The following acts were very much like the first, and also
abounded in tiresome virtue.  The types were painfully familiar.  There was the
uninteresting drunkard who repents, the erring youth who breaks his mother's
heart, and even the inevitable <ref type="doc" target="n01086">"maid aweary of her maidenhood,"</ref> with corkscrew
<choice>
               <sic>curl sand </sic>
               <corr>curls and</corr>
            </choice>summer ice cream pantalets.  That spinster type is so old, it is
strange the melodramatists don't find something to take her place.</p>
         <p>
            <ref type="doc" target="n01087">
               <persName key="Hanchett, David">Mr. Hanchett</persName>
            </ref> as <ref type="doc" target="n01088">
               <name type="role" key="Grayloch, John" n="The District Fair">John Grayloch</name>
            </ref> was good.  <ref type="doc" target="n01089">
               <persName key="Scully, Neil">Mr.
Scully</persName>
            </ref> rather overdid <ref type="doc" target="n01090">
               <name type="role" key="Uncle Phil" n="The District Fair">Uncle Phil</name>
            </ref>.  <ref type="doc" target="n01091">
               <persName key="Craig, Walter">Walter Craig</persName>
            </ref> as <ref type="doc" target="n01092">
               <name type="role" key="Spotty" n="The District Fair">Spotty</name>
            </ref> was easy and
natural.  <ref type="doc" target="n01093">
               <persName key="Hall, Mae">Miss Mae Hall</persName>
            </ref> made a nimble and mirthful <ref type="doc" target="n01094">
               <name type="role" key="Roxie" n="The District Fair">Roxie</name>
            </ref>.  <ref type="doc" target="n01095">
               <persName key="Lloyd, Jefferson">Mr. Jefferson Lloyd</persName>
            </ref>
played the hero, <ref type="doc" target="n01096">
               <name type="role" key="Grayloch, Arthur" n="The District Fair">Arthur Grayloch</name>
            </ref>, and of course he was bad.  We try to be
charitable, but it would require several charity organizations working at high
pressure to generate enough of that forgiving grace to cover <persName key="Llyod, Jefferson">Mr. Lloyd's</persName>
priggish inefficiency. The racing scenes were the redeeming features of
the play.  <ref type="doc" target="n01097">The horse Tempest</ref> is a pretty animal and is splendidly trained.  The
conflagration scene and the race scene had more realism and more excitement in
them than any that have been seen on the Lansing stage for some time.  The
house was poor, but however poor the house may be there are two people who are
always there &#8212; the dramatic critic and the <ref type="doc" target="n01098">Inevitable Twain</ref>. </p>
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