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            <title type="main">Amusements</title>
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            <author>Cather, Willa, 1873-1947</author>
            <principal xml:id="awj">Jewell, Andrew, 1975-</principal>
            <editor xml:id="ka_ron">Ronning, Kari, 1949-</editor>
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            <publisher>University of Nebraska&#8211;Lincoln</publisher>
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                  <addrLine>University of Nebraska&#8211;Lincoln</addrLine>
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               <title level="a">Amusements</title>
               <title level="j">Nebraska State Journal</title>
               <author>Willa Cather</author>
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               <date when="1893-12-14">December 14, 1893</date>
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                  <term>Idealism</term>
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                  <term>Friendship</term>
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                  <term>Gays in literature</term>
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                  <term>Devotion in literature</term>
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                  <term>Royle, Edwin Milton, 1862-1942</term>
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         <head type="main">AMUSEMENTS.</head>
         <note type="editorial">Cather's review is preceded by another review of "Friends," signed "S.J.P."</note>
         <div type="section">
            <head type="main">
               <ref type="doc" target="n00164">
                  <name type="playTitle" key="Friends; A Comedy Drama in Four Acts">"Friends"</name>
               </ref> is Purely Ideal.</head>
            <p>After the omnipotent public has spoken and spoken as loudly and enthusiastically as it did last night, very little is left to say. The work of the actors was so admirable that if much were said even a
cynical critic would become as enthusiastic as did the audience, and enthusiasm
is forbidden a critic. The play dealt with a situation that has been the
temptation and tantalization of playwrights ever since <ref type="doc" target="n00165">
                  <name type="fict_character" key="Damon">Damon</name> and <name type="fict_character" key="Pythias">Pythias</name>
               </ref> and <ref type="doc" target="n00166">
                  <name type="fict_character" key="David">David</name> and <name type="fict_character" key="Jonathan">Jonathan</name>
               </ref> set the idea going. <name type="playTitle" key="Friends; A Comedy Drama in Four Acts">"Friends"</name> seems to be one of the strongest,
perhaps the strongest drama that has ever been written on the subject. The only
trouble with <ref type="doc" target="n00167">
                  <persName key="Paden, John, Jr.">Mr. John Paden, jr.</persName>
               </ref>, and <ref type="doc" target="n00168">
                  <persName key="Karje, Adrian">Mr. Adrian Karje</persName>
               </ref> is that they are too
sweetly sentimental on each other. The great virtue of friendship is to keep
itself to itself; if it imparts itself gratuitously to the unhappy object of
affection it ceases to become friendship and becomes a bore. The delightful
part about a sentimental friendship is that it can never have the pleasure of
arresting its existence unless it wishes to be hopelessly and forever crushed.
It is strange anyway that in this day of the world, when the individual is so
loudly asserting his mightiness, any one should write a drama on one man's
loving another man better than himself. It is a beautiful idea, perhaps, but it
does not exist outside of girls' boarding schools. The advance notices state
that <ref type="doc" target="n00169">
                  <persName key="Royle, Edwin Milton">Mr. Royle</persName>
               </ref> has planted his flower in the fresh soil of youth. We can agree
that <persName key="Royle, Edwin Milton">Mr. Royle</persName> has done an excellent job in his horticulture, but <persName key="Royle, Edwin Milton">Mr. Royle's</persName>
flowers are things of the past, like orange blossoms, and are so delicate that
today even the "fresh soil of youth" cannot support them. The soil of youth
today is careful as to its crop, and there is not money enough in flowery
friendship. The fact is, we all love ourselves very much more than we do any
other being on earth. We like other people as they administer to our vanity or
amusement. If there is any deluded soul who does not believe he is the most
charming and gifted man on earth, and who loves another man better than
himself, I should like to see him; he is dangerous to society&#8212;or would be, only
the other man never likes back.  </p>
            <closer>
               <signed>W. C.</signed>
            </closer>
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         <div type="section">
            <head type="main">
               <ref type="doc" target="n01545">"McCawber"</ref> Tonight.</head>
            <p>This evening <ref type="doc" target="n01546">The Holdens</ref> will resume their engagement at the <ref type="doc" target="n00066">Lansing</ref> theatre by presenting for the first time in Lincoln, an adaptation from <ref type="doc" target="n01547">Dickens'</ref> famous novel, <ref type="doc" target="n01548">"David Copperfield,"</ref> entitled "McCawber," by <ref type="doc" target="n01549">Henry Jackson</ref>.  The piece abounds in many thrilling situations, intensely interesting climaxes and strong comedy.  If you want pure unadulterated fun go where it is for sale at 10, 20 and 30 cents at the Lansing theater and have it served by the Holdens, positively the best repertory company enroute.  Ladies will be admitted free again tonight when accompanied by an escort holding a paid 30 cent ticket.</p>
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