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            <title type="main">One Way of Putting It</title>
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            <author>Cather, Willa, 1873-1947</author>
            <principal xml:id="awj">Jewell, Andrew, 1975-</principal>
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               <title level="a">One Way of Putting It</title>
               <title level="j">Nebraska State Journal</title>
               <author>Willa Cather</author>
               <biblScope type="pages">13</biblScope>
               <date when="1893-12-17">December 17, 1893</date>
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                  <term>Cynicism in Literature</term>
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               <term>
                  <term>Courtship in Literature</term>
               </term>
               <term>
                  <term>Remorse</term>
               </term>
               <term>
                  <term>Forgiveness</term>
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               <term>
                  <term>Nobility of character</term>
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         <head type="main">One Way of Putting It.</head>
         <div type="section">
            <p>THE young man was standing before the glass putting the
finishing touches on his toilet. When he cast the last earnest look at the
glass, he opened the door and called in the family to admire him. They gazed at
him as gravely and seriously as they would examine a painting. All their
remarks and suggestions were made with the utmost gravity. When they had
finished their adoration he pinned in his button-hole the red carnation he
habitually wore and went forth. He was a little legal gentleman who read a
great deal of <ref type="doc" target="n00170">
                  <persName key="Balzac, Honoré de">Balzac</persName>
               </ref> and took himself as seriously as most of <persName key="Balzac, Honoré de">Balzac's</persName>
characters do. His life had been a series of novellettes, he had adored and
spoken his adoration to almost every young lady in his particular set, and after
each disappointment he had spent some months in living the life proper for a
heart-broken man. He had a small trunk full of old letters and locks of hair.
Occasionally, when he thought it was about time for him to be blue, he looked
them all over, and he never seemed to see that there was anything laughable in
there being so many kinds of hand writing and so many shades of hair. His
family took it all just as seriously as he did, and they spent most of their
leisure in soothing his heartaches. The only persons who did not take it
seriously were the young ladies of his set, who found it quite impossible to do
so.</p>
         </div>
         <milestone unit="section" type="horbar-short-center"/>
         <div type="section">
            <p>A GREAT deal of useless sympathy, sympathy and
useless abuse, has been wasted upon newspaper cynics. In the first place it is
useless to waste that on them, for a man who will be a cynic just so many times
a week and for so much a column is as tough as a rhinoceros to start with.
Sympathy is entirely wasted, for as a rule newspaper <choice>
                  <sic>cynic sare</sic>
                  <corr>cynics are</corr>
               </choice> the happiest,
healthiest men alive. They are generally fat, and look about as much like the
regulation cynic as <ref type="doc" target="n00171">
                  <persName key="Mason, Walt">Walt Mason</persName>
               </ref> does like <ref type="doc" target="n00172">
                  <persName key="Byron, Lord George Gordon Noel">Byron</persName>
               </ref> or <ref type="doc" target="n00173">
                  <persName key="Bixby, Dr. A.L.">Colonel Bixby</persName>
               </ref> like <ref type="doc" target="n00649">
                  <persName key="Keats, John">Keats</persName>
               </ref>. The
old time conscious cynic gets pale and thin over it, but the practical
newspaper cynic is generally of a very substantial build. Outside of business
hours he is one of the jolliest men alive. He keeps his poison carefully corked
in his ink bottle and his sting in his pen point. He has reduced cynicism to a
fine art, he can make other people feel miserable without feeling at all
uncomfortable himself. All the great cynics have been very happy men and have
been very fond of <ref type="doc" target="n01528">
                  <persName key="Luther, Martin">Martin Luther's</persName>
               </ref>
               <ref type="doc" target="n00174"> trio</ref>. On the other hand, most of the world's
<ref type="doc" target="n00175">sweetest and truest humorists</ref> have led exceedingly miserable lives. If a man is
a cynic he is so from a business standpoint. He is generally a good liver and
thoroughly enjoys the company of the men he laughs at in his work, and when he
dies it is generally from too much pastry rather than from a hatred of
humanity.</p>
         </div>
         <milestone unit="section" type="horbar-short-center"/>
         <div type="section">
            <p>HE WAS a <ref type="doc" target="n00176">Virginian</ref> and a gentleman and for that reason he
was on every side and taken in on every hand. He kept
a little store down town where he sold very little and was paid for less.
Indeed, he had been swindled out of all that he had brought with him from the
south, until he had very little left to himself, but his generosity and the wound
he had carried in the <ref type="doc" target="n00177">army of Virginia</ref>. His clothes grew very weak and he tried to break himself of the habit of eating. One day a brazen faced
woman entered the store and bought a considerable bill of perfumery and
cosmetics. While he was wrapping them up she asked him to charge them. He knew
perfectly well that she would never pay him a cent and that she had come there
to <ref type="doc" target="n00178">beat him</ref>, but to a Virginian a woman is always a woman, and with the grace of
a southerner he bowed his gray head and murmured "Certainly, madam," though he
had breakfasted but poorly and dinner was one of the uncertainties of the
future. The woman went out, thinking what a fool he was. That man had better go
back to the south; it does not pay to be a southern gentleman in the hustling
northwest.</p>
         </div>
         <milestone unit="section" type="horbar-short-center"/>
         <div type="section">
            <p>A FUNERAL train was going toward <ref type="doc" target="n00017">Wyuka</ref>. The hearse was very
plain and the driver was not in livery. In the carriage behind the hearse sat a
man wearing a tall silk hat. He sat twirling his moustache and looking steadily
out of the window. He was her son, that was why he was there. His wife had a
nervous headache and could not accompany him. After they had entered the
cemetery he hastily drew out a note book and jotted down a few figures, the
result of his solemn cogitation. When the hack stopped he got out and stood by
the open grave. He thought that it was very cold and that funerals were
horrible things and wondered if civilization would never find a way of doing
away with them. He thought of the time she had been all in all to him of what
she had endured and suffered for him, and then how the greater love had come and
gradually the need for her had passed out of his life, and he hated himself that
he did not feel more deeply.  After it was all over he got back into the
carriage telling the driver to drive him to his office.</p>
            <p>It is well that the dead sleep soundly, often
the pain of living would be nothing to the anguish and disappointment of
death. Living we can always make idols for ourselves and worship them, always
blind and deceive ourselves, always call neglect thoughtlessness, coldness
reserve, but dead we should know even as we are known. Thank God we sleep then.</p>
         </div>
         <milestone unit="section" type="horbar-short-center"/>
         <div type="section">
            <p>OVER the drop curtain in the <ref type="doc" target="n00132">Funke</ref> there is a very fair copy
of <ref type="doc" target="n00181">one of the best pictures of <persName key="Shakespeare, William">Shakespeare</persName>
               </ref> that any artist ever painted. It is
rather doubtful whether any theatre in the world is quite worthy to hold the
picture of the man who consummated literature, but that picture has been almost
an inspiration in its way, and as the years passed it came to be beloved by
many of us. It has been a comfort, sometimes, to look away for awhile from the
things on the stage, which were better left unseen, and to look up at that
great face and know that once upon this planet such a man had lived and worked.
The picture has been there for years and years, looking down on tragedy, comedy
and melodrama alike with that mournful, tender, "father-forgive-them" smile. It
was well enough three years ago when the best companies played on the Funke
stage, they are all unworthy to come before him, heaven knows! but at least we
gave him the best we had. But now, in these days of the <ref type="doc" target="n00054">
                  <name type="group" key="Spooner family">Spooners</name>
               </ref> and the
<ref type="doc" target="n00183">
                  <name type="group" key="Lindsey family">Lindseys</name>
               </ref>, it seems as though some one ought to have common decency enough to
paint that great face out, and profane his name no more.</p>
         </div>
         <milestone unit="section" type="horbar-short-center"/>
         <div type="section">
            <p>UP in the <ref type="doc" target="n00184">negro church</ref> one Christmas the congregation were
singing <ref type="doc" target="n00185">the "Peace on Earth."</ref> When the plaintive music stopped an old
gray-haired negro in a frock coat and wearing two pairs of glasses arose and
began reading the old, old story of <ref type="doc" target="n00186">the men who were watching their flocks by
night</ref> and of the babe who was born in the <ref type="doc" target="n00187">city of David</ref>. He became very much
excited as he read, and his voice trembled and he unconsciously put the words
to measure and chanted them slowly.  When he finished he looked up at the
ceiling with eager misty eyes as though he could see the light of the <ref type="doc" target="n00188">heavenly
messenger</ref> shining in upon him. It is a beautiful story, this of the holiest and
purest childhood on earth, beautiful even to those who cannot understand it, as
dreams are sweet to men without hope. After all, if we cannot hear the carol
and see the heavenly messenger, it is because our ears are deaf and our eyes
are blind, not that we turn wilfully away from love or beauty. No one is
antagonistic by preference. Almost any of us who doubt would give the little we
know or hope to know to go down upon our knees among the lowly and experience a
great faith or a great conviction.</p>
         </div>
         <milestone unit="section" type="horbar-short-center"/>
         <div type="section">
            <p>A LITTLE girl stood looking at the big dolls in a store
window. She was a petite dark child, a little shawl was pinned over her head and
she carried a basket on her arm.</p>
            <p>"Law me, Riah," she said turning to a wooley
headed little chap behind her, "if I jist had one o' dem big dolls wouldn't I
be fixed? I hain't like some, always wantin' to be runnin' around, if I jist
had a big doll an' some place fer to keep its clo'es, I wouldn't never want to
go outside'n de do'."</p>
            <p>With a long sigh she turned away and trotted
down the street, and something in that wishful glance of hers made one feel
like Christmas.</p>
            <p>IT IS very fitting that the world should hold
its greatest festival because a little child was born, more fitting than most
things the world does. In spite of all the things that are that should not be,
children continue to be born into the world and to celebrate the birthday of
the child who made all childhood sacred. One cannot be wholly a pessimist while
this is so. The world has something to be proud of yet. It has perverted all
other truth than that of childhood; it has killed all other faith, but the
faith of childhood defies it; it has tainted all other love, but the one of the
children is still pure enough to give to God. We have begun to realize this in
these days.  We write great books for children and paint great pictures for
them, and great men have given their greatest work to make those first few
years of life realize all the happiness of which poets dream.  In this age when
time means money, civilization unbends business, puts on its best clothes and
eats plum pudding and reads story books to the children and pats itself on the
back, for after all it can say that all its men are good and all its women
noble &#8212; till they are ten years old.</p>
         </div>
         <milestone unit="section" type="horbar-short-center"/>
         <div type="section">
            <p>IT IS not a very great while till Christmas now.  One begins
to feel the restlessness and secrecy in the air, and to smell the cedar and see
the holly gleaming in the windows.  Almost every one I meet has a bundle and is
hurrying home to hide it.  The toy shops are filled with people buying things
for the children they love.  It seems to me that I too must be buying and
hiding away something for a child I used to love and I wonder what it shall
be.  It has been a long time since I have seen her, and I do not even know if
they keep Christmas in her country, but I must send her something because I am
lonely and think of her, and I wish in some way to get near again to the only
love I have ever known which was never darkened by pain or misunderstanding.  I
must get something and hide it away where no one can see.  No matter what it
is, she will like it, for she is not like other children.  They will grow old
and forget and cease to love, but her childhood is eternal.  Perhaps it will be
only a few flowers, and on Christmas eve, when other people are filling the stockings
while the children sleep, I will slip out to you, who are asleep too, and I
will put the flowers in the snow over your grave, little one, and perhaps their
fragrance will creep down to you somehow, and you will dream of other flowers
that I gave you in other days down in our own country where we were both
happy.  Perhaps, too, since they say the stars shine brighter on Christmas
night, perhaps through the frozen earth that shuts you from me, the light of
those we used to know and name will reach you, and you will remember, and know
that I do not forget.  </p>
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