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            <title type="main">Amusements</title>
            <title type="sub">electronic edition</title>
            <author>Cather, Willa, 1873-1947</author>
            <principal xml:id="awj">Jewell, Andrew, 1975-</principal>
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               <title level="a">Amusements</title>
               <title level="j">Nebraska State Journal</title>
               <author>Willa Cather</author>
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               <date when="1894-02-13">February 13, 1894</date>
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                  <term>Fantasma--Criticism and interpretation</term>
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         <head type="main">AMUSEMENTS.</head>
         <div type="section">
            <p>The <ref type="doc" target="n00066">Lansing</ref> held a fair audience last night and
they seemed more than well pleased, though really they saw no play at all.  But
they did not want <choice>
                  <sic>too</sic>
                  <corr>to</corr>
               </choice> see one.  They wanted to be bewildered and dazzled and dazed
and astonished, and all this they got, and more too.  There were witches with
uncanny arms, mules that danced and grinned, beautiful girls with whirling
skirts, pictures aglow with electric spangles, a fairy queen with a diadem of
stars, a king of <ref type="doc" target="n01583">
                  <choice>
                     <sic>hades</sic>
                     <corr>Hades</corr>
                  </choice>
               </ref>, black-bearded and stern-voiced, and a white-faced unfortunate who met the wrong side of everything, and all these
moved in a world of infinite doors and unfathomable possibilities, the
pantomime world, where you may be quite sure of one thing, that nothing will be
what it seems to be. Truly it would be an awful world to live in, even with
pink fairies in fluttering skirts for companions.  One could have no confidence
in the solidest chair or in the most unyielding wall.  Candles might explode and
boats might vanish at any moment, and demons in spotted tights might come
tumbling out of anything.</p>
            <p>
               <ref type="doc" target="n00416">
                  <name type="playTitle" key="Fantasma">Fantasma</name>
               </ref> is the play for the children.  For them
it is fairyland made real.  Here are rabbits that steal the hunter's gun, fish
that dance gravely, a giraffe that knows what a joke is, and boots that go
climbing to the ceiling.  And have they not read that all these things may be? 
Here is the fortunate lover with curly hair and the beautiful girl who loves
him, and the statues that change into men, and the caves that flash into
palaces.  What more can they ask?  Perhaps they cannot see some things as older
eyes &#8212; and more sensual &#8212; may see them, but that is fortunate, and will not
last.  We go home to discourse knowingly of stage mechanism and electric effects,
while they carry home visions of spangles and diadems that dance into their
dreams.  What is the use of <choice>
                  <sic>criticising</sic>
                  <corr>criticizing</corr>
               </choice>?  Let us follow them for one
night and appreciate. </p>
            <p>The spectacular play of the type of <name type="playTitle" key="Fantasma">"Fantasma"</name>
is the ultimate resting place of the actor who rants.  Here, in fact,
<choice>
                  <sic>bombastiy</sic>
                  <corr>bombast</corr>
               </choice> is a real merit.  What else than turgidity do we want of
<ref type="doc" target="n01496">
                  <name type="role" key="Zamaliel" n="Fantasma">Zamaliel</name>
               </ref>, the king of <choice>
                  <sic>hades</sic>
                  <corr>Hades</corr>
               </choice>.  The slightest suspicion of nature would quite
ruin everything.  And, here, too those playwrights that love surprising
incident may find refuge.  Nothing is too strange for such a stage, not even
the stuffed buffalo from whose empty eye-socket the misguided train robber so
lately pointed his pistol.  Probability, even plausibility, would only
disappoint us; we demand, indeed, that the wonder outrun imagination.</p>
         </div>
         <div type="section">
            <head type="main">At the Funke.</head>
            <p>The <ref type="doc" target="n01497">
                  <name type="group" key="Rutledge Company">
                     <persName key="Rutledge, J. P.">Rutledge</persName> company</name>
               </ref> was announced to open a
week's engagement at the <ref type="doc" target="n00132">Funke</ref> last night.  A fair sized audience came and
waited until nearly 10 o'clock and then was dismissed without a performance. 
The company, due to come in over <ref type="doc" target="n01498">the Missouri Pacific</ref> at 5 o'clock, did not
arrive until after 9, and when the baggage reached the opera house it was
nearly 10.  This was too late and the show for last night was declared off.</p>
         </div>
         <div type="section">
            <head type="main">
               <ref type="doc" target="n01493">
                  <name type="group" key="Brothers Byrne">Brothers Byrne</name>
               </ref>
            </head>
            <p>These kings of pantomime will appear at the Lansing theatre Friday and Saturday, February 16 and 17, in their comedy success, <ref type="doc" target="n01494">
                  <name type="playTitle" key="Eight Bells">"Eight
Bells."</name>
               </ref>  The production this season will be marked by a number of new tricks. 
An entirely new last act, which will present some of the most costly and
elaborate scenery on the stage.</p>
            <p>
               <ref type="doc" target="n01500">
                  <persName key="Rutledge, J. P.">J. P. Rutledge</persName>
               </ref> and his merry players in <ref type="doc" target="n01501">
                  <name type="playTitle" key="Red Fox, The">"The
Red Fox"</name>
               </ref> at the Funke tonight.</p>
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