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            <title type="main">Amusements</title>
            <title type="sub">electronic edition</title>
            <author>Cather, Willa, 1873-1947</author>
            <principal xml:id="awj">Jewell, Andrew, 1975-</principal>
            <editor xml:id="ka_ron">Ronning, Kari, 1949-</editor>
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            <authority>The Willa Cather Archive</authority>
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            <publisher>University of Nebraska&#8211;Lincoln</publisher>
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                  <addrLine>University of Nebraska&#8211;Lincoln</addrLine>
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               <title level="a">Amusements</title>
               <title level="j">Nebraska State Journal</title>
               <author>Willa Cather</author>
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               <date when="1893-11-22">November 22, 1893</date>
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                  <term>Whiteside, Walker 1869-1942</term>
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                  <term>Richelieu, Armand Jean du Plessis, duc de, 1585-1642--Drama</term>
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         <head type="main">AMUSEMENTS.</head>
         <div type="section">
            <p>
               <ref type="doc" target="n00048">Last night</ref> was <ref type="doc" target="n00049">
                  <persName key="Whiteside, Walker">Mr. Whiteside's</persName>
               </ref> first appearance
in Lincoln, and his work seemed to be very favorably received.  The most
promising member of the company, next to <persName key="Whiteside, Walker">Mr. Whiteside</persName> himself, was <ref type="doc" target="n00050">
                  <persName key="Sturgeon, John">Mr. John
Sturgeon</persName>
               </ref> or the <ref type="doc" target="n00051">
                  <name type="role" key="de Mauprat, Chevalier" n="Richelieu; or, The Conspiracy">Chevalier de Mauprat</name>
               </ref>.  <ref type="doc" target="n00052">
                  <persName key="Wolstan, Lelia">Miss Lelia Wolstan</persName>
               </ref> made a rather
ineffectual <ref type="doc" target="n00053">
                  <name type="role" key="de Mortemar, Julie" n="Richelieu; or, The Conspiracy">Julie</name>
               </ref>, and had that unfortunate way of hissing the word "innocence"
which is prevalent among emotional actresses of the <ref type="doc" target="n00054">
                  <name type="group" key="Spooner family">Spooner</name>
               </ref> class.  We might
have been spared her tears.  We will <ref type="doc" target="n00056">see real tears tonight</ref>.  <ref type="doc" target="n00055">
                  <persName key="Morris, Clara">Morris</persName>
               </ref> will shed
them until our own eyes are wet and yet we will never have enough.  But the
tears of genius are different from those of ordinary mortals and are to be
rejected.  <persName key="Whiteside, Walker">Mr. Whiteside</persName> himself did some very strong acting.  He came out well
in the fourth act and <ref type="doc" target="n00057">the curse of Rome</ref> was loudly applauded by the audience. 
The main fault in his acting seems to be that he acts too much.  He declaims
constantly and hisses an invitation to dinner as though it were a summons to the
block.  <ref type="doc" target="n00058">
                  <name type="role" key="Richelieu, Armand Jean du Plessis, duc de" n="Richelieu; or, The Conspiracy">Richelieu</name>
               </ref> was not a heavy villain in a <ref type="doc" target="n00060">red gown</ref>; he was one of the most
suave and courtly gentlemen in France, with a very level head.  He could not
have <ref type="doc" target="n00059">"reconstructed France"</ref> swaggering about in his gown and laughing stage
laughs.  The best acting <persName key="Whiteside, Walker">Mr. Whiteside</persName> did was in the first answer he sends the
king when <ref type="doc" target="n00061">
                  <name type="role" key="de Barabas, Count" n="Richelieu; or, The Conspiracy">Count de <choice>
                        <sic>Barabas</sic>
                        <corr>Baradas</corr>
                     </choice>
                  </name>
               </ref> comes for <name type="role" key="de Mortemar, Julie" n="Richelieu; or, The Conspiracy">Julie</name>, which had real art and real
feeling in it.  If actors will persist in playing <name type="playTitle" key="Richelieu, Armand Jean du Plessis, duc de">Richelieu</name>, they ought at
least to play an expurgated edition of it in which the <ref type="doc" target="n00062">mightiness of the pen</ref> and the <ref type="doc" target="n00063">"brightest lexicon of youth"</ref> were left out.  Probably <persName key="Whiteside, Walker">Mr. Whiteside</persName> rendered the <choice>
                  <sic>hacknyed</sic>
                  <corr>hackneyed</corr>
               </choice> lines as well as any one short of <ref type="doc" target="n00064">
                  <persName key="Irving, Henry">Irving</persName>
               </ref> could.  The faults in the play last night were due to the <ref type="doc" target="n00065">
                  <persName key="Bulwer-Lytton, Edward">
                     <choice>
                        <sic>playright</sic>
                        <corr>playwright</corr>
                     </choice>
                  </persName>
               </ref> as
much as to the actor.</p>
         </div>
         <div type="section">
            <note type="editorial">a letter to the editor from P. W. Howe follows Cather's discussion of "Richelieu" and precedes announcements of upcoming shows.</note>
         </div>
         <div type="section">
            <head type="main">The Event Tonight.</head>
            <p>The long looked for and heralded appearance of America's greatest emotional actress, <persName key="Morris, Clara">Clara Morris</persName>, occurs at the <ref type="doc" target="n00066">Lansing</ref> theatre tonight.  It can be truthfully said that <persName key="Morris, Clara">Miss Morris</persName> has never been seen to such great advantage as in <ref type="doc" target="n00070">
                  <name type="playTitle" key="Camille">"Camille."</name>
               </ref>  It abounds in situations calling for great emotional qualities and in <persName key="Morris, Clara">Clara Morris</persName> and her admirable company <ref type="doc" target="n01011">
                  <persName key="Dumas, Alexandre">
                     <choice>
                        <sic>Duma's</sic>
                        <corr>Dumas's</corr>
                     </choice>
                  </persName>
               </ref> splendid work can wish for nothing more.</p>
         </div>
         <div type="section">
            <head type="main">
               <ref type="doc" target="n01551">"Oh! What a Night."</ref>
            </head>
            <p>The management of the Lansing theatre placed the seats for the above attraction on sale yesterday morning and every person desiring a good one can be accommodated without the annoyance of waiting in a crowd at the door.  This is one of the best attractions that will appear here this season, and will undoubtedly draw a full house Thursday, November 23, as they do everywhere.</p>
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