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            <title type="main">On the Gulls' Road</title>
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            <author>Cather, Willa, 1873-1947</author>
            <principal xml:id="awj">Jewell, Andrew, 1975-</principal>
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               <title level="a">On the Gulls' Road</title>
               <title level="j">McClure's Magazine</title>
               <author>Willa Sibert Cather</author>
               <biblScope type="volume">32</biblScope>
               <biblScope type="pages">145-152</biblScope>
               <date when="1908-12">December 1908</date>
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      <pb facs="cat.ss007.001" n="145"/>
      <front>
         <figure>
            <graphic url="cat.ss007.fig1"/>
            <p/>
            <figDesc>Drawing of gulls encirling the title material.</figDesc>
         </figure>
         <head type="main" rend="center-large">ON THE GULLS' ROAD</head>
         <byline>BY<lb/>WILLA SIBERT CATHER</byline>
         <head type="sub" rend="center">THE AMBASSADOR'S STORY</head>
      </front>
      <body>
         <div1 type="section">
            <p>IT often happens that one or another of my friends stops before a red chalk drawing in
my study and asks me where I ever found so lovely a creature. I have never told the story
of that picture to any one, and the beautiful woman on the wall, until <choice>
                  <orig>yester-day</orig>
                  <reg>yesterday</reg>
               </choice>,
in all these twenty years has spoken to no one but me. Yesterday a young painter, a countryman of
mine, came to consult me on a matter of business, and upon seeing my <choice>
                  <orig>draw-ing</orig>
                  <reg>drawing</reg>
               </choice> of Alexandra Ebbling, straightway forgot his errand. He examined the date upon the sketch and asked me,
very earnestly, if I could tell him whether the lady were still living. When I <choice>
                  <orig>an-swered</orig>
                  <reg>answered</reg>
               </choice> him, he stepped back from the picture and said slowly:</p>
            <p>"So long ago? She must have been very young. She was happy?"</p>
            <p>"As to that, who can say&#8212;about any one of us?" I replied. "Out of
all that is <choice>
                  <orig>sup-posed</orig>
                  <reg>supposed</reg>
               </choice> to make for happiness, she had very little."</p>
            <p>He shrugged his shoulders and turned away to the window, saying as he did so:
"Well, there is very little use in troubling about <choice>
                  <orig>any-thing</orig>
                  <reg>anything</reg>
               </choice>,
when we can stand here and look at her, and you can tell me that she has been dead all these years,
and that she had very little."</p>
            <p>We returned to the object of his visit, but when he bade me goodbye at the door his
troubled gaze again went back to the drawing, and it was only by turning sharply about
that he took his eyes away from her.</p>
            <p>I went back to my study fire, and as the rain kept away less impetuous visitors, I had
a long time in which to think of Mrs. Ebbling. I even got out the little box she gave me,
which I had not opened for years, and when Mrs. Hemway brought my tea I had barely time to
close the lid and defeat her disapproving gaze.</p>
            <p>My young countryman's perplexity, as he looked at Mrs. Ebbling, had recalled to me the
delight and pain she gave me when I was of his years. I sat looking at her face and trying
to see it through his eyes&#8212;freshly, as I saw it first upon the deck of the <hi rend="italic">Germania</hi>, twenty years ago. Was it her loveliness, I often ask myself,
or her loneliness, or her simplicity, or was it merely my own youth? Was her mystery only
that of the mysterious North out of which she came? I still feel that she was very different
from all the beautiful and brilliant women I have known; as the night is different from the day,
or as the sea is different from the land. But this is our story, as it comes back to me.</p>
         </div1>
         <div1 type="section">
            <p>For two years I had been studying Italian and working in the capacity of clerk to the
<choice>
                  <orig>Ameri-can</orig>
                  <reg>American</reg>
               </choice> legation at Rome, and I was going home to secure my first consular appointment. Upon boarding my steamer at Genoa, I saw my <choice>
                  <orig>lug-gage</orig>
                  <reg>luggage</reg>
               </choice> into my cabin
and then started for a rapid circuit of the deck. Everything promised well. The boat was thinly peopled,
even for a July crossing; the decks were roomy; the day was fine; the sea was blue; I was sure of
my <choice>
                  <orig>ap-pointment</orig>
                  <reg>appointment</reg>
               </choice>, and, best of all, I was coming back to Italy. All these
things were in my mind when I stopped sharply before a <hi rend="italic">chaise longue</hi> placed
sidewise near the stern. Its occupant was a woman, apparently ill, who lay with her eyes closed, and in her
open arm was a chubby little red-haired girl, asleep. I can still remember that first glance at Mrs.
Ebbling, and how I stopped as a wheel does when the band slips. Her splendid, vigorous body lay still
and relaxed

<pb facs="cat.ss007.002" n="146"/>


under the loose folds of her clothing, her white throat and arms and red-gold hair were drenched
with sunlight. Such hair as it was: wayward as some kind of gleaming seaweed that curls and undulates
with the tide. A moment gave me her face; the high cheekbones, the thin cheeks, the gentle chin, arching
back to a <choice>
                  <orig>girl-ish</orig>
                  <reg>girlish</reg>
               </choice> throat, and singular loveliness of the mouth. Even then it
flashed through me that the mouth gave the whole face its peculiar beauty and distinction. It was proud
and sad and tender, and strangely calm. The curve of the lips could not have been cut more cleanly
with the most delicate instrument, and whatever shade of feeling passed over them seemed to partake of
their exquisiteness.</p>
            <p>But I am anticipating. While I stood <choice>
                  <orig>stu-pidly</orig>
                  <reg>stupidly</reg>
               </choice> staring (as if, at
twenty-five, I had never before beheld a beautiful woman) the whistles broke into a hoarse scream,
and the deck under us began to vibrate. The woman opened her eyes, and the little girl struggled
into a sitting position, rolled out of her mother's arm, and ran to the deck rail. After
putting my chair near the stern, I went forward to see the gang-plank up and did not return
until we were dragging out to sea at the end of a long tow-line.</p>
            <p>The woman in the <hi rend="italic">chaise longue</hi> was still alone. She lay there all day,
looking at the sea. The little girl, Carin, played noisily about the deck. Occasionally she
returned and struggled up into the chair, plunged her head, round and red as a little
pumpkin, against her mother's shoulder in an impetuous embrace, and then struggled down
again with a lively flourishing of arms and legs. Her mother took such opportunities to
pull up the child's socks or to smooth the fiery little braids; her beautiful hands,
rather large and very white, played about the riotous little girl with a quieting
tenderness. Carin chattered away in Italian and kept asking for her father, only to be
told that he was busy.</p>
            <p>When any of the ship's officers passed, they stopped for a word with my neighbor, and I
heard the first mate address her as Mrs. <choice>
                  <orig>Ebb-ling</orig>
                  <reg>Ebbling</reg>
               </choice>. When they spoke
to her, she smiled appreciatively and answered in low, faltering Italian, but I fancied that
she was glad when they passed on and left her to her fixed <choice>
                  <orig>contemplation</orig>
                  <reg>contemplation</reg>
               </choice>
of the sea. Her eyes seemed to drink the color of it all day long, and after every interruption they
went back to it. There was a kind of pleasure in watching her satisfaction, a kind of excitement in
wondering what the water made her remember or forget. She seemed not to wish to talk to
any one, but I knew I should like to hear whatever she might be thinking. One could catch
some hint of her thoughts, I imagined, from the shadows that came and went across her
lips, like the <choice>
                  <orig>reflec-tion</orig>
                  <reg>reflection</reg>
               </choice> of light clouds. She had a pile of books
beside her, but she did not read, and neither could I. I gave up trying at last, and watched the sea,
very conscious of her presence, almost of her thoughts. When the sun dropped low and shone in
her face, I rose and asked if she would like me to move her chair. She smiled and thanked
me, but said the sun was good for her. Her yellow-hazel eyes followed me for a moment and
then went back to the sea.</p>
            <p>After the first bugle sounded for dinner, a heavy man in uniform came up the deck and
stood beside the <hi rend="italic">chaise longue</hi>, looking down at its two occupants with
a smile of satisfied possession. The breast of his trim coat was hidden by waves of soft blond
beard, as long and heavy as a woman's hair, which blew about his face in glittering profusion. He
wore a large turquoise ring upon the thick hand that he rubbed good-humoredly over the
little girl's head. To her he spoke Italian, but he and his wife conversed in some
Scandinavian tongue. He stood stroking his fine beard until the second bugle blew, then
bent stiffly from his hips, like a soldier, and patted his wife's hand as it lay on the
arm of her chair. He hurried down the deck, taking stock of the passengers as he went, and
stopped before a thin girl with frizzed hair and a lace coat, asking her a facetious
question in thick English. They began to talk about Chicago and went below. Later I saw
him at the head of his table in the dining room, the befrizzed Chicago lady on his left.
They must have got a famous start at luncheon, for by the end of the dinner Ebbling was
peeling figs for her and presenting them on the end of a fork.</p>
            <p>The Doctor confided to me that Ebbling was the chief engineer and the dandy of the
boat; but this time he would have to behave himself, for he had brought his sick wife
along for the voyage. She had a bad heart valve, he added, and was in a serious way. </p>
            <p>After dinner Ebbling disappeared, <choice>
                  <orig>presum-ably</orig>
                  <reg>presumably</reg>
               </choice> to his engines,
and at ten o'clock, when the stewardess came to put Mrs. Ebbling to bed, I helped her to rise
from her chair, and the second mate ran up and supported her down to her cabin. About midnight
I found the engineer in the card room, playing with the Doctor, an Italian naval officer, and the
commodore of a Long Island yacht club. His face was even pinker than it had been at
dinner, and his fine beard was full of smoke. I thought a long while about Ebbling and his
wife before I went to sleep.</p>
            <p>The next morning we tied up at Naples to take on our cargo, and I went on shore for the
day. I did not, however, entirely escape the

<pb facs="cat.ss007.003" n="147"/>

ubiquitous engineer, whom I saw lunching with the Long Island commodore at a hotel in the
Santa Lucia. When I returned to the boat in the early evening, the passengers had gone down
to dinner, and I found Mrs. Ebbling quite alone upon the deserted deck. I approached her and
asked whether she had had a dull day. She looked up smiling and shook her head, as if her
Italian had quite failed her. I saw that she was flushed with excitement, and her yellow eyes
were shining like two clear topazes.</p>
            <p>"Dull? Oh, no! I love to watch Naples from the sea, in this white heat. She has
just lain there on her hillside among the vines and laughed for me all day long. I have
been able to pick out many of the places I like best."</p>
            <p>I felt that she was really going to talk to me at last. She had turned to me frankly,
as to an old acquaintance, and seemed not to be hiding from me anything of what she felt.
I sat down in a glow of pleasure and excitement and asked her if she knew Naples well.</p>
            <p>"Oh, yes! I lived there for a year after I was first married. My husband has a
great many friends in Naples. But he was at sea most of the time, so I went about alone.
Nothing helps one to know a city like that. I came first by sea, like this. Directly to
Naples from <choice>
                  <orig>Fin-mark</orig>
                  <reg>Finmark</reg>
               </choice>, and I had never been South before." Mrs.
Ebbling stopped and looked over my shoulder. Then, with a quick, eager glance at me, she
said abruptly: "It was like a baptism of fire. Nothing has ever been quite the same since. Imagine
how this bay looked to a <choice>
                  <orig>Fin-mark</orig>
                  <reg>Finmark</reg>
               </choice> girl. It seemed like the overture to
Italy."</p>
            <p>I laughed. "And then one goes up the country&#8212;song by song and wine by
wine."</p>
            <p>Mrs. Ebbling sighed. "Ah, yes. It must be fine to follow it. I have never been
away from the seaports myself. We live now in Genoa."</p>
            <p>The deck steward brought her tray, and I moved forward a little and stood by the rail.
When I looked back, she smiled and nodded to let me know that she was not missing
<choice>
                  <orig>any-thing</orig>
                  <reg>anything</reg>
               </choice>. I could feel her intentness as keenly as if she were
standing beside me.</p>
            <p>The sun had disappeared over the high ridge behind the city, and the stone pines stood
black and flat against the fires of the afterglow. The lilac haze that hung over the long,
lazy slopes of Vesuvius warmed with golden light, and films of blue vapor began to float
down toward Baiæ. The sky, the sea, and the city between them turned a shimmering violet,
fading grayer as the lights began to glow like luminous pearls along the water-front,&#8212;the
necklace of an irreclaimable queen. Behind me I heard a low exclamation; a slight, stifled sound,
but it seemed the perfect vocalization of that <choice>
                  <orig>weari-ness</orig>
                  <reg>weariness</reg>
               </choice> with which
we at last let go of beauty, after we have held it until the senses are darkened. When I turned
to her again, she seemed to have fallen asleep.</p>
            <p>That night, as we were moving out to sea and the tail lights of Naples were winking
across the widening stretch of black water, I helped Mrs. Ebbling to the foot of the
stairway. She drew herself up from her chair with effort and leaned on me wearily. I could
have <choice>
                  <orig>car-ried</orig>
                  <reg>carried</reg>
               </choice> her all night without fatigue.</p>
            <p>"May I come and talk to you tomorrow?" I asked. She did not reply at once.
"Like an old friend?" I added. She gave me her <choice>
                  <orig>lan-guid</orig>
                  <reg>languid</reg>
               </choice> hand,
and her mouth, set with the exertion of walking, softened altogether. "<hi rend="italic">Grazia</hi>,"
she murmured. </p>
            <p>I returned to the deck and joined a group of my countrywomen, who, primed with <choice>
                  <orig>inex-haustible</orig>
                  <reg>inexhaustible</reg>
               </choice> information, were discussing the <choice>
                  <orig>base-ness</orig>
                  <reg>baseness</reg>
               </choice> of Renaissance art. They were intelligent and alert, and as they
leaned forward in their deck chairs under the circle of light, their faces recalled to me Rembrandt's
picture of a clinical lecture. I heard them through, against my will, and then went to the stern to
smoke and to see the last of the island lights. The sky had clouded over, and a soft, melancholy
wind was rushing over the sea. I could not help thinking how disappointed I would be if rain should
keep Mrs. Ebbling in her cabin <choice>
                  <orig>to-morrow</orig>
                  <reg>tomorrow</reg>
               </choice>. My mind played constantly with
her image. At one moment she was very clear and directly in front of me; the next she was far away.
Whatever else I thought about, some part of my consciousness was busy with Mrs. Ebbling; hunting for
her, finding her, losing her, then groping again. How was it that I was so conscious of whatever
she might be feeling? that when she sat still behind me and watched the evening sky, I had had a
sense of speed and change, almost of danger; and when she was tired and sighed, I had wished for night
and loneliness.</p>
         </div1>
         <div1 type="section" n="II">
            <p>Though when we are young we seldom think much about it, there is now and again a golden
day when we feel a sudden, arrogant pride in our youth; in the lightness of our feet and
the strength of our arms, in the warm fluid that courses so surely within us; when we are
<choice>
                  <orig>con-scious</orig>
                  <reg>conscious</reg>
               </choice> of something powerful and mercurial in our breasts,
which comes up wave after wave


<pb facs="cat.ss007.004" n="148"/>

and leaves us irresponsible and free. All the next morning I felt this flow of life,
which <choice>
                  <orig>continu-ally</orig>
                  <reg>continually</reg>
               </choice> impelled me toward Mrs. Ebbling. After
the merest greeting, however, I kept away. I found it pleasant to thwart myself, to measure
myself against a current that was sure to carry me with it in the end. I was content to let
her watch the sea&#8212;the sea that seemed now to have come into me, warm and soft, still
and strong. I played shuffleboard with the <choice>
                  <orig>Com-modore</orig>
                  <reg>Commodore</reg>
               </choice>, who was
anxious to keep down his figure, and ran about the deck with the stout legs of the little
pumpkin-colored Carin about my neck. It was not until the child was having her afternoon nap
below that I at last came up and stood beside her mother.</p>
            <p>"You are better today," I exclaimed, <choice>
                  <orig>look-ing</orig>
                  <reg>looking</reg>
               </choice> down at her white
gown. She colored <choice>
                  <orig>un-reasonably</orig>
                  <reg>unreasonably</reg>
               </choice>, and I laughed with a familiarity
which she must have accepted as the mere foolish noise of happiness, or it would have seemed
impertinent.</p>
            <p>We talked at first of a hundred trivial things, and we watched the sea. The coast of
<choice>
                  <orig>Sar-dinia</orig>
                  <reg>Sardinia</reg>
               </choice> had lain to our port for some hours and would lie
there for hours to come, now <choice>
                  <orig>ad-vancing</orig>
                  <reg>advancing</reg>
               </choice> in rocky promontories,
now retreating behind blue bays. It was the naked south coast of the island, and though our
course held very near the shore, not a village or <choice>
                  <orig>habi-tation</orig>
                  <reg>habitation</reg>
               </choice>
was visible; there was not even a <choice>
                  <orig>goat-herd's</orig>
                  <reg>goatherd's</reg>
               </choice> hut hidden away
among the low pinkish sand hills. Pinkish sand hills and yellow <choice>
                  <orig>head-lands</orig>
                  <reg>headlands</reg>
               </choice>;
with dull-colored scrubby bushes massed about their bases and following the dried <choice>
                  <orig>water-courses</orig>
                  <reg>watercourses</reg>
               </choice>. A narrow strip of beach glistened like white paint
between the purple sea and the umber rocks, and the whole island lay gleaming in the yellow
sunshine and translucent air. Not a wave broke on that fringe of white sand, not the shadow of
a cloud played across the bare hills. In the air about us there was no sound but that of a vessel
moving rapidly through absolutely still water. She seemed like some great sea-animal, swimming
silently, her head well up. The sea before us was so rich and heavy and opaque that it might
have been lapis lazuli. It was the blue of legend, simply; the color that satisfies the soul
like sleep.</p>
            <p>And it was of the sea we talked, for it was the substance of Mrs. Ebbling's story. She
seemed always to have been swept along by ocean streams, warm or cold, and to have hovered
about the edge of great waters. She was born and had grown up in a little fishing town on
the Arctic Ocean. Her father was a doctor, a widower, who lived with his daughter and who
divided his time between his books and his <choice>
                  <orig>fish-ing</orig>
                  <reg>fishing</reg>
               </choice> rod. Her uncle
was skipper on a coasting vessel, and with him she had made many trips along the Norwegian
coast. But she was always reading and thinking about the blue seas of the South.</p>
            <p>"There was a curious old woman in our <choice>
                  <orig>vil-lage</orig>
                  <reg>village</reg>
               </choice>, Dame Ericson,
who had been in Italy in her youth. She had gone to Rome to study art, and had copied a great
many pictures there. She was well connected, but had little money, and as she grew older and
poorer she sold her pictures one by one, until there was scarcely a well-to-do family in our
district that did not own one of Dame Ericson's paintings. But she brought home many other strange
things; a little orange-tree which she cherished until the day of her death, and bits of
colored marble, and sea shells and pieces of coral, and a thin flask full of water from
the <choice>
                  <orig>Mediterra-nean</orig>
                  <reg>Mediterranean</reg>
               </choice>. When I was a little girl she used to show me
her things and tell me about the South; about the coral fishers, and the pink islands, and the
smoking mountains, and the old, underground Naples. I suppose the water in her flask was like
any other, but it never seemed so to me. It looked so elastic and alive, that I used to think
if one unsealed the bottle something penetrating and fruitful might leap out and work an
enchantment over Finmark."</p>
            <p>Lars Ebbling, I learned, was one of her father's friends. She could remember him from
the time when she was a little girl and he a dashing young man who used to come home from
the sea and make a stir in the village. After he got his promotion to an Atlantic liner
and went South, she did not see him until the summer she was twenty, when he came home to
marry her. That was five years ago. The little girl, Carin, was three. From her talk, one
might have supposed that Ebbling was proprietor of the Mediterranean and its <choice>
                  <orig>adja-cent</orig>
                  <reg>adjacent</reg>
               </choice> lands, and could have kept her away at his pleasure. Her own
rights in him she seemed not to consider.</p>
            <p>But we wasted very little time on Lars Ebbling. We talked, like two very young persons,
of arms and men, of the sea beneath us and the shores it washed. We were carried a little
beyond ourselves, for we were in the presence of the things of youth that never change;
fleeing past them. To-morrow they would be gone, and no effort of will or memory could
bring them back again. All about us was the sea of great adventure, and below us, caught
somewhere in its gleaming meshes, were the bones of nations and navies . . . . . nations and
navies that gave youth its hope and made life something more than a hunger of the bowels.
The unpeopled Sardinian coast unfolded gently before us, like something left

<pb facs="cat.ss007.005" n="149"/>

over out of a world that was gone; a place that might well have had no later news since the corn
ships brought the tidings of Actium.</p>
            <p>"I shall never go to Sardinia," said Mrs. Ebbling. "It could not possibly be as <choice>
                  <orig>beauti-ful</orig>
                  <reg>beautiful</reg>
               </choice> as this."</p>
            <p>"Neither shall I," I replied. </p>
            <p>As I was going down to dinner that evening, I was stopped by Lars Ebbling, freshly
brushed and scented, wearing a white uniform, and polished and glistening as one of his
own <choice>
                  <orig>en-gines</orig>
                  <reg>engines</reg>
               </choice>. He smiled at me with his own kind of geniality.
"You have been very kind to talk to my wife," he explained. "It is very bad for her this
trip that she speaks no English. I am indebted to you."</p>
            <p>I told him curtly that he was mistaken, but my acrimony made no impression upon his
blandness. I felt that I should certainly strike the fellow if he stood there much longer,
<choice>
                  <orig>run-ning</orig>
                  <reg>running</reg>
               </choice> his blue ring up and down his beard. I should probably
have hated any man who was Mrs. Ebbling's husband, but Ebbling made me sick.</p>
         </div1>
         <div1 type="section" n="III">
            <p>The next day I began my drawing of Mrs. <choice>
                  <orig>Eb-bling</orig>
                  <reg>Ebbing</reg>
               </choice>. She seemed
pleased and a little puzzled when I asked her to sit for me. It occurred to me that she had
always been among dull people who took her looks as a matter of course, and that she was not
at all sure that she was really beautiful. I can see now her quick, confused look of pleasure. I
thought very little about the drawing then, except that the making of it gave me an
opportunity to study her face; to look as long as I pleased into her yellow eyes, at the
noble lines of her mouth, at her splendid, vigorous hair.</p>
            <p>"We have a yellow vine at home," I told her, "that is very like your hair. It seems to
be growing while one looks at it, and it twines and tangles about itself and throws out little
<choice>
                  <orig>ten-drils</orig>
                  <reg>tendrils</reg>
               </choice> in the wind."</p>
            <p>"Has it any name?"</p>
            <p>"We call it love vine."</p>
            <p>How little a thing could disconcert her!</p>
            <p>As for me, nothing disconcerted me. I awoke every morning with a sense of speed and
joy. At night I loved to hear the swish of the water rushing by. As fast as the pistons
could carry us, as fast as the water could bear us, we were going forward to something
<choice>
                  <orig>de-lightful</orig>
                  <reg>delightful</reg>
               </choice>; to something together. When Mrs. Ebbling told
me that she and her husband would be five days in the docks in New York and then return to
Genoa, I was not disturbed, for I did not believe her. I came and went, and she sat still
all day, watching the water. I heard an American lady say that she watched it like one who
is going to die, but even that did not frighten me: I somehow felt that she had promised me to live.</p>
            <p>All those long blue days when I sat beside her talking about Finmark and the sea, she
must have known that I loved her. I sat with my hands idle on my knees and let the tide
come up in me. It carried me so swiftly that, across the narrow space of deck between us,
it must have swayed her, too, a little. I had no wish to disturb or distress her. If a
little, a very little of it reached her, I was satisfied. If it drew her softly, but drew
her, I wanted no more. Sometimes I could see that even the light pressure of my thoughts
made her paler. One still evening, after a long talk, she <choice>
                  <orig>whis-pered</orig>
                  <reg>whispered</reg>
               </choice>
to me, "You must go and walk now, and&#8212;don't think about me." She had been held too long and too
closely in my thoughts, and she begged me to release her for a little while. I went out
into the bow and put her far away, at the skyline, with the faintest star, and thought of
her gently across the water. When I went back to her, she was asleep.</p>
            <p>But even in those first days I had my hours of misery. Why, for instance, should she
have been born in Finmark, and why should Lars Ebbling have been her only door of escape?
Why should she be silently taking leave of the world at the age when I was just beginning
it, having had nothing, nothing of whatever is worth while?</p>
            <p>She never talked about taking leave of things, and yet I sometimes felt that she was
counting the sunsets. One yellow afternoon, when we were gliding between the shores of
Spain and Africa, she spoke of her illness for the first time. I had got some magnolias at
Gibraltar, and she wore a bunch of them in her girdle and the rest lay on her lap. She
held the cool leaves against her cheek and fingered the white petals. "I can
never," she remarked, "get enough of the flowers of the South. They make me
breathless, just as they did at first. <choice>
                  <orig>Be-cause</orig>
                  <reg>Because</reg>
               </choice> of them I should
like to live a long while&#8212;almost forever."</p>
            <p>I leaned forward and looked at her. "We could live almost forever if we had enough
courage. It's of our lives that we die. If we had the courage to change it all, to run
away to some blue coast like that over there, we could live on and on, until we were
tired."</p>
            <p>She smiled tolerantly and looked southward through half shut eyes. "I am afraid I
should never have courage enough to go behind that mountain, at least. Look at it, it
looks as if it hid horrible things."</p>
            <p>A sea mist, blown in from the Atlantic, began

<pb facs="cat.ss007.006" n="150"/>

to mask the impassive African coast, and above the fog, the gray mountain peak took on the
angry red of the sunset. It burned sullen and threatening until the dark land drew the night
about her and settled back into the sea. We watched it sink, while under us, slowly but ever
increasing, we felt the throb of the Atlantic come and go, the thrill of the vast, untamed
waters of that lugubrious and passionate sea. I drew Mrs. Ebbling's wraps about her and shut
the magnolias under her cloak. When I left her, she slipped me one warm, white flower.</p>
         </div1>
         <div1 type="section" n="IV">
            <p>From the Straits of Gibraltar we dropped into the abyss, and by morning we were rolling
in the trough of a sea that drew us down and held us deep, shaking us gently back and
forth until the timbers creaked, and then shooting us out on the crest of a swelling
mountain. The water was bright and blue, but so cold that the breath of it penetrated
one's bones, as if the chill of the deep under-fathoms of the sea were being loosed upon
us. There were not more than a dozen people upon the deck that <choice>
                  <orig>morn-ing</orig>
                  <reg>morning</reg>
               </choice>,
and Mrs. Ebbling was sheltered behind the stern, muffled in a sea jacket, with drops of moisture
upon her long lashes and on her hair. When a shower of icy spray beat back over the deck rail, she
took it gleefully.</p>
            <p>"After all," she insisted, "this is my own kind of water; the kind I was born in. This is
first cousin to the Pole waters, and the sea we have left is only a kind of fairy tale. It's
like the burnt-out volcanoes; its day is over. This is the real sea now, where the doings of the
world go on."</p>
            <p>"It is not our reality, at any rate," I <choice>
                  <orig>an-swered</orig>
                  <reg>answered</reg>
               </choice>.</p>
            <p>"Oh, yes, it is! These are the waters that carry men to their work, and they will
carry you to yours." </p>
            <p>I sat down and watched her hair grow more alive and iridescent in the moisture.
"You are pleased to take an attitude," I complained.</p>
            <p>"No, I don't love realities any more than another, but I admit them, all the
same." </p>
            <p>"And who are you and I to define the realities?"</p>
            <p>"Our minds define them clearly enough, yours and mine, everybody's. Those are the
lines we never cross, though we flee from the equator to the Pole. I have never really got
out of Finmark, of course. I shall live and die in a fishing town on the Arctic Ocean, and
the blue seas and the pink islands are as much a dream as they ever were. All the same, I
shall continue to dream them."</p>
            <p>The Gulf Stream gave us warm blue days again, but pale, like sad memories. The water
had faded, and the thin, tepid sunshine made something tighten about one's heart. The
stars watched us coldly, and seemed always to be asking me what I was going to do. The
advancing line on the chart, which at first had been mere foolishness, began to mean
<choice>
                  <orig>some-thing</orig>
                  <reg>something</reg>
               </choice>, and the wind from the west brought <choice>
                  <orig>dis-turbing</orig>
                  <reg>disturbing</reg>
               </choice> fears and forebodings. I slept lightly, and all day
I was restless and uncertain except when I was with Mrs. Ebbling. She quieted me as she
did little Carin, and soothed me <choice>
                  <orig>with-out</orig>
                  <reg>without</reg>
               </choice> saying anything, as she had
done that evening at Naples when we watched the sunset. It seemed to me that every day her
eyes grew more tender and her lips more calm. A kind of fortitude seemed to be gathering
about her mouth, and I dreaded it. Yet when, in an involuntary glance, I put to her the
question that tortured me, her eyes always met mine steadily, deep and gentle and full of
<choice>
                  <orig>reassur-ance</orig>
                  <reg>reassurance</reg>
               </choice>. That I had my word at last, happened almost
by accident.</p>
            <p>On the second night out from shore there was the concert for the Sailors' Orphanage,
and Mrs. Ebbling dressed and went down to dinner for the first time, and sat on her
husband's right. I was not the only one who was glad to see her. Even the women were
pleased. She wore a pale green gown, and she came up out of it regally white and gold. I
was so proud that I blushed when any one spoke of her. After dinner she was standing by
her deck-chair talking to her husband when people began to go below for the concert. She
took up a long cloak and attempted to put it on. The wind blew the light thing about, and
Ebbling chatted and smiled his public smile while she struggled with it. Suddenly his
roving eye caught sight of the Chicago girl, who was having a similar difficulty with her
draperies, and he pranced half the length of the deck to assist her. I had been watching
from the rail, and when she was left alone I threw my cigar away and wrapped Mrs. Ebbling
up roughly.</p>
            <p>"Don't go down," I begged. "Stay up here. I want to talk to you."</p>
            <p>She hesitated a moment and looked at me thoughtfully. Then, with a sigh, she sat down.
Every one hurried down to the saloon, and we were absolutely alone at last, behind the
shelter of the stern, with the thick darkness all about us and a warm east wind rushing
over the sea. I was too sore and angry to think. I leaned toward her, holding the arm of
her chair with both hands, and began anywhere.</p>
            <p>"You remember those two blue coasts out of Gibraltar? It shall be either one you
choose,

<pb facs="cat.ss007.007" n="151"/>

if you will come with me. I have not much money, but we shall get on somehow.
There has got to be an end of this. We are neither one of us cowards, and this is
humiliating, intolerable."</p>
            <p>She sat looking down at her hands, and I pulled her chair impatiently toward me.</p>
            <p>"I felt," she said at last, "that you were going to say something like this. You are
sorry for me, and I don't wish to be pitied. You think Ebbling neglects me, but you are
mistaken. He has had his disappointments, too. He wants children and a gay, hospitable house,
and he is tied to a sick woman who cannot get on with people. He has more to <choice>
                  <orig>com-plain</orig>
                  <reg>complain</reg>
               </choice> of than I have, and yet he bears with me. I am grateful to him,
and there is no more to be said."</p>
            <p>"Oh, isn't there?" I cried, "and I?"</p>
            <p>She laid her hand entreatingly upon my arm. "Ah, you! you! Don't ask me to talk
about that. <hi rend="italic">You</hi>&#8212;;" Her fingers slipped down my coat sleeve to my
hand and pressed it. I caught her two hands and held them, telling her I would never let them go.</p>
            <p>"And you meant to leave me day after <choice>
                  <orig>to-morrow</orig>
                  <reg>tomorrow</reg>
               </choice>, to say goodbye to me
as you will to the other people on this boat? You meant to cut me adrift like this, with my heart on fire
and all my life unspent in me?"</p>
            <p>She sighed despondently. "I am willing to suffer&#8212;whatever I must suffer&#8212;to have
had you," she answered simply. "I was ill&#8212;and so lonely&#8212;and it came so quickly and
quietly. Ah, don't begrudge it to me! Do not leave me in bitterness. If I have been wrong,
forgive me." She bowed her head and pressed my fingers entreatingly. A warm tear splashed on
my hand. It occurred to me that she bore my anger as she bore little Carin's importunities,
as she bore Ebbling. What a circle of <choice>
                  <orig>petti-ness</orig>
                  <reg>pettiness</reg>
               </choice> she had about her!
I fell back in my chair and my hands dropped at my side. I felt like a creature with its back broken.
I asked her what she wished me to do.</p>
            <p>"Don't ask me," she whispered. "There is nothing that we can do. I thought you knew that.
You forget that&#8212;that I am too ill to begin my life over. Even if there were nothing
else in the way, that would be enough. And that is what has made it all possible, our loving each
other, I mean. If I were well, we couldn't have had even this much. Don't <choice>
                  <orig>re-proach</orig>
                  <reg>reproach</reg>
               </choice> me. Hasn't it been at all pleasant to you to find me waiting for
you every morning, to feel me thinking of you when you went to sleep? Every night I have
watched the sea for you, as if it were mine and I had made it,  and I have listened to the
water rushing by you, full of sleep and youth and hope. And everything you had done or
said during the day came back to me, and when I went to sleep it was only to feel you
more. You see there was never any one else; I have never thought of any one in the dark
but you." She spoke pleadingly, and her voice had sunk so low that I could scarcely
hear her.</p>
            <p>"And yet you will do nothing," I groaned. "You will dare nothing. You
will give me nothing."</p>
            <p>"Don't say that. When I leave you day after tomorrow, I shall have given you all
my life. I can't tell you how, but it is true. There is something in each of us that does
not belong to the family or to society, not even to ourselves. Sometimes it is given in
marriage, and sometimes it is given in love, but oftener it is never given at all. We have
nothing to do with giving or withholding it. It is a wild thing that sings in us once and
flies away and never comes back, and mine has flown to you. When one loves like that, it
is enough <choice>
                  <orig>some-how</orig>
                  <reg>somehow</reg>
               </choice>. The other things can go if they must. That
is why I can live without you, and die without you."</p>
            <p>I caught her hands and looked into her eyes that shone warm in the darkness. She
shivered and whispered in a tone so different from any I ever heard from her before or
afterward: "Do you grudge it to me? You are so young and strong, and you have
everything before you. I shall have only a little while to want you in&#8212;and I could
want you forever and not weary." I kissed her hair, her cheeks, her lips, until her
head fell forward on my shoulder and she put my face away with her soft, trembling
fingers. She took my hand and held it close to her, in both her own. We sat silent, and
the moments came and went, bringing us closer and closer, and the wind and water rushed by
us, obliterating our tomorrows and all our yesterdays.</p>
            <p>The next day Mrs. Ebbling kept her cabin, and I sat stupidly by her chair until dark,
with the rugged little girl to keep me company, and an occasional nod from the engineer.</p>
            <p>I saw Mrs. Ebbling again only for a few moments, when we were coming into the New York
harbor. She wore a street dress and a hat, and these alone would have made her seem far
away from me. She was very pale, and looked down when she spoke to me, as if she had been
guilty of a wrong toward me. I have never been able to remember that interview without
heartache and shame, but then I was too desperate to care about <choice>
                  <orig>any-thing</orig>
                  <reg>anything</reg>
               </choice>.
I stood like a wooden post and let her approach me, let her speak to me, let her leave


<pb facs="cat.ss007.008" n="152"/>


me as if it were a hard thing to do, and held out a little package, timidly, and her
gloved hand shook as if she were afraid of me.</p>
            <p>"I want to give you something," she said. "You will not want it now, so I shall ask
you to keep it until you hear from me. You gave me your address a long time
ago, when you were making that drawing. Some day I shall write to you and ask you to open
this. You must not come to tell me goodbye this morning, but I shall be watching you when
you go ashore. Please don't forget that."</p>
            <p>I took the little box mechanically and thanked her. I think my eyes must have filled,
for she uttered an exclamation of pity, touched my sleeve quickly, and left me. It was one
of those strange, low, musical exclamations which meant everything and nothing, like the
one that had thrilled me that night at Naples, and it was the last sound I ever heard from
her lips.</p>
            <p>An hour later I went on shore, one of those who crowded over the gang-plank the moment
it was lowered. But the next afternoon I wandered back to the docks and went on board the <hi rend="italic">Germania</hi>.

I asked for the engineer, and he came up in his shirt sleeves from the engine room. He was
red and dishevelled, angry and voluble; his bright eye had a hard glint, and I did not
once see his masterful smile. When he heard my inquiry he became profane. Mrs. Ebbling had
sailed for Bremen on the <hi rend="italic">Hohenstauffen</hi> that morning at eleven o'clock.
She had decided to return by the northern route and pay a visit to her father in Finmark. She was
in no condition to travel alone, he said. He evidently smarted under her extravagance. But
who, he asked, with a blow of his fist on the rail, could stand between a woman and her
whim? She had always been a wilful girl, and she had a doting father behind her. When she
set her head with the wind, there was no holding her; she ought to have married the Arctic
Ocean. I think Ebbling was still talking when I walked away.</p>
            <p>I spent that winter in New York. My <choice>
                  <orig>con-sular</orig>
                  <reg>consular</reg>
               </choice> appointment
hung fire (indeed, I did not pursue it with much enthusiasm), and I had a good many idle hours
in which to think of Mrs. Ebbling. She had never mentioned the name of her father's village,
and somehow I could never quite bring myself to go to the docks when Ebbling's boat was in and ask for
news of her. More than once I made up my mind definitely to go to Finmark and take my
chance at finding her; the shipping people would know where Ebbling came from. But I never
went. I have often wondered why. When my resolve was made and my courage high, when I
could almost feel myself <choice>
                  <orig>approach-ing</orig>
                  <reg>approaching</reg>
               </choice> her, suddenly everything
crumbled under me, and I fell back as I had done that night when I dropped her hands, after telling her,
only a moment before, that I would never let them go.</p>
            <p>In the twilight of a wet March day, when the gutters were running black outside and the
Square was liquefying under crusts of dirty snow, the housekeeper brought me a damp letter
which bore a blurred foreign postmark. It was from Niels Nannestad, who wrote that it was his
sad duty to inform me that his daughter, Alexandra Ebbling, had died on the second day of
February, in the twenty-sixth year of her age. Complying with her request, he inclosed
a letter which she had written some days before her death.</p>
            <p>I at last brought myself to break the seal of the second letter. It read thus:

<quote>
                  <floatingText type="correspondence">
                     <body>
                        <opener>
                           <salute>"My Friend:&#8212;</salute>
                        </opener>
                        <p>You may open now the little package I gave you. May I ask you to keep
it? I gave it to you because there is no one else who would care about it in just that
way. Ever since I left you I have been thinking what it would be like to live a lifetime
caring and being cared for like that. It was not the life I was meant to live, and yet, in
a way, I have been living it ever since I first knew you.</p>
                        <p>"Of course you understand now why I could not go with you. I would have spoiled your
life for you. Besides that, I was ill&#8212;and I was too proud to give you the shadow of
myself. I had much to give you, if you had come earlier. As it was, I was ashamed. Vanity
sometimes saves us when nothing else will, and mine saved you. Thank you for everything. I
hold this to my heart, where I once held your hand.</p>
                        <closer>Alexandra"</closer>
                     </body>
                  </floatingText>
               </quote>
            </p>
            <p>The dusk had thickened into night long before I got up from my chair and took the
little box from its place in my desk drawer. I opened it and lifted out a thick coil, cut
from where her hair grew thickest and brightest. It was tied firmly at one end, and when
it fell over my arm it curled and clung about my sleeve like a living thing set free. How
it gleamed, how it still gleams in the firelight! It was warm and softly scented under my
lips, and stirred under my breath like seaweed in the tide. This, and a withered magnolia
flower, and two pink sea shells; nothing more. And it was all twenty years ago!</p>
         </div1>
      </body>
   </text>
</TEI>