CONTENTS

• Introduction
       by Robert Thacker and Michael A. Peterman
• "Willa Cather's Canada": The Border as Fiction
       by David Stouck
• Where is Cather's Quebec? Anthropological Modernism in Shadows on the Rock
       by Richard Millington
• The Hidden French in Willa Cather's English
       by Françoise Palleau-Papin
• Willa Cather and Pierre Charron on Wisdom: The Skeptical Philosophy of Shadows on the Rock
       by Richard C. Harris
• Losing Nothing, Comprehending Everything: Learning to Read Both the Old World and the New in Death Comes for the Archbishop
       by Deborah Lindsay Williams
• "The Hero Within": Heroic Archetypes in Shadows on the Rock
       by Ann Moseley
• Willa Cather: Reading the Writer through Biographies and Memoirs
       by Helen M. Buss
• Bringing Outland Inland in The Professor's House: Willa Cather's Domestication of Empire
       by Deborah Karush
• Cather's Copy of Death Comes for the Archbishop
       by Charles W. Mignon
• Willa Cather's One of Ours and the Iconography of Remembrance
       by Steven Trout
• Willa Cather's Condition: Disease, Doctors, and Diagnoses as Social Action
       by Nadeane Trowse
• The Professor's House: Prohibition, Ripe Grapes, and Euripides
       by Klaus P. Stich
• "Something Soft and Wild and Free": Willa Cather's Sexual Aesthetics
       by John P. Anders
• Epicurus in Hamilton: St. Peter's Contemplative Retirement to the Attic Study and Garden in The Professor's House
       by Michael W. Price
• Youth and Age in the Old and New Worlds: Willa Cather and A.E. Housman
       by Elsa Nettels
• Alexander's Bridge: The "Other" First Novel
       by Loretta Wasserman
• A Case of Influence:"Paul's Case" and Balzac
       by Joan Dargan
• Willa Cather's German Connections:"Uncle Valentine" and Wertherian Wandering
       by Peter M. Sullivan
• Contributors