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To [Burges]
Johnson,
Sept. 21, 1940
; Amherst
Yes, may use the quotation as revised, with an explanatory note that it was sent to a
friend's
son. Otherwise will be deluged by letters from students
wanting her to explain this and that. Mostly sends a form letter to students and to English
teachers. Such correspondence has delayed completion of her new book.
Willa Cather
[Stout
#1490]
To [Burges]
Johnson,
Jan. 12, 1939
; Amherst
Gives permission to quote from anything in Not Under Forty and conditional permission to quote from letter
to Pat Knopf explaining reasons for structure of The Professor's House. Prefers the
distinct separations of that form to the mixture of unexpressed feelings typical of modern
fiction, though it could have been done that way. Outland's life had become as real to the professor as his own; he became part of the old house. Glad
Pat is studying with him.
Willa Cather
[Stout
#1433]
To Burges
Johnson, n.d.
[1939?]
; Beinecke Partial
transcription by E. K. Brown. Pub. CEA Newsletter Dec. 1939; quoted in Bohlke.
Like Henry Seidel Canby, does not believe in
teaching contemporary literature. More important to use limited school time to teach classics
of English literature. Essential reading in school includes Shakespeare, Milton, Fielding, Jane Austen, with Thackeray, George Eliot, George Meredith, and Thomas
Hardy as the most recent. Young people should read contemporary literature as they
want to, not as assignments. True literary taste is as rare as perfect pitch, but students can
glean something from exposure to the classics, even if they don't have real aptitude. [Stout
#1454]
To Burges Johnson,
[1928?]
, excerpt made by E. K. Brown
; Beinecke
Most English teachers have never actually written a thing and think being scholarly means
avoiding any taint of common sense. One critic makes a big point of broad a sounds in female
names in her books. Could quote others equally foolish. One says title Death Comes for the
Archbishop shows she is now willing to acknowledge death. What it shows is that
[Hans] Holbein used
the title in his woodcut and she saw Latour's death as a victorious one, a kind of riding away with death. [Stout
#933]