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To Sister Mary Virginia,
[1943?]
transcription, not original; included with note from Sister Mary Virginia to John Towner Frederick; Iowa
Will not be able to contribute much to her thesis, as she does not think about her characters
in such a way. Disdains terms fancied by many English instructors, like "contacted" and
"motivation," as books based upon a writer's technical plan are dreary to read. Among the many
writers she knows, none of them conceive their works by determining how one character will
respond to another; instead, the writer is taken with an idea and needs to give it voice.
Characters cohabit a story because it seems inevitable to the writer that they should, not
because of some kind of calculated response. Is mailing a copy of the truthful report she wrote
about how she conceived of Death Comes for the Archbishop
["A Letter from Willa Cather to the Editor of the Commonweal," Commonweal 7 (November 27, 1927): 713]. All
great writers do this: they write to express passion or outrage, something heartfelt and
unplanned. It is too bad that teachers convince students that books are an elaborate scheme,
when they are something much more extraordinary: a deep expression of the author's caring and
joy.