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To Jessie B. Rittenhouse,
Tuesday,
[1913?]
; Newberry
Has made several changes in the poem [
"Grandmither, Think Not I
Forget"
].[Reprinted in The Little Book of Modern Verse, 1913, ed.
Rittenhouse.]
Willa Sibert Cather
[Stout
#253]
To Robert Frost,
November 17, 1915, from Number
Five Bank Street, New York
; Dartmouth
As one displeased with the poets of the Spoon River school, wishes to thank him for producing
the only recent American poetry that has captured her interest. The emergence of his
distinctive voice is an important event. Wishes she could enjoy all the poets listed by
Mr. Bynner and Miss Rittenhouse, but if Ezra Pound and Mr. Masters can be
called "poets," how can Frost be? Is embarrassed by
her lack of interest in "new" poetry and by her tendency to mock it, so takes special pleasure
in Frost's work, which, though "new," is rich with
classic poetic elements.
Willa Sibert Cather
To Robert Frost,
January 20, [1916], from 1180 Murray Hill Avenue, Pittsburgh
; Dartmouth
Wishes she could be in New York for the
Poetry Society banquet, but cannot. Regrets missing the opportunity to meet him and Mrs. [Elinor Miriam White]
Frost. Wonders if he ever chanced to meet
Miss Jewett. Has often thought, if she had lived
to see them, that Frost's books would have been a
great encouragement to her in a world full of poets like Witter
Bynner and Phoebe Snow. Unfortunately,
Frost's fellows in the Poetry Society are so wound up
in the ideal of "free verse" that they can't distinguish a line by him from one published in a
rural newspaper. They don't even know enough to dislike Florence Earle Coates or Ella Wheeler
Wilcox. Many of the so-called "poets" seem to be so just to make Miss Rittenhouse happy. Thankfully, the success of
junk only damages things in the short term. Fears that if she ever attended a meeting of the
Poetry Society she would be unable to suppress her opinions, and begs Frost to keep them private. Since poetry needs publicity as
much as anything else, perhaps the Rittenhouse crowd will actually help Frost somewhat. Anyhow, more subtle methods can still succeed. Has shown many of
his poems to others, including "The Mountain," "Mowing," "Going for Water," and "The Tuft of
Flowers," and no one needs to have them explained, nor has anyone's sensibility been altered
because, in Mr. Masters's words, "the hammock
fell/ Into [sic] the dust with Milton's poems [sic]" [from Masters's poem "Many Soldiers" in
Spoon River
Anthology]. Not everyone believes that is symbolic!
Willa S. Cather