CONTRIBUTORS
Elizabeth Ammons is Harriet H. Fay Professor of Literature at
Tufts University. She is the author of Edith Wharton's Argument with
America (1980) and Conflicting Stories: American Women Writers at
the Turn into the Twentieth Century (1991) and the editor of a number
of volumes, including Short Fiction by Black Women, 1900-1920 (1991)
and, with Annette White-Parks, Tricksterism in Turn-of-the-Century American
Literature (1994).
Marilyn Arnold, professor emeritus of English and recent dean
of graduate studies at Brigham Young University, has published three books
on Willa Cather as well as several dozen articles and papers on Cather
and others, most notably Eudora Welty. Her current work is on the Cather
correspondence.
Asad Al-Ghalith is a professor of English at Lakewood College
in St. Paul, Minnesota. He has taught English in universities in Jordan
and Saudi Arabia as well as at Sul Ross State University in Alpine, Texas,
and the University of Kansas in Lawrence. He has published numerous articles
in academic journals here and abroad.
Sharon Hoover teaches English and directs the writing center
at Alfred University. She worked extensively as a writer and editor in
educational publishing before completing a Ph.D. in American Literature.
She has a recent article on Willa Cather in Western American Literature.
Mary Jane Humphrey is a Ph.D. student at the University of Nebraska-Lincoln.
She has published articles on Jane Austen and the recently recovered seventeenth-century
poem, "The Memorandum of Martha Moulsworth / Widdowe."
Michael Leddy teaches English at Eastern Illinois University
in Charleston, Illinois. His articles on Willa Cather have been published
in Modern Fiction Studies, Studies in American Fiction, and
Studies in the Novel. His current critical work focuses on contemporary
American poetry; his own poetry recently appeared in The Gertrude Stein
Awards in Innovative American Poetry: 1993-1994 (Sun & Moon).
Terence Martin is Distinguished Professor of English at Indiana
University. His publications include The Instructed Vision: Scottish
Common Sense Philosophy and the Origins of American Fiction, Nathaniel
Hawthorne, and Parables of Possibility: The American Need for Beginnings.
He is an associate editor of The Columbia Literary History of the United
States and of the forthcoming American National Biography.
Ann Moseley is a professor in the Department of Literature and
Languages at East Texas State University in Commerce, Texas. She is the
author of Ole Rolvaag (1987) and the co-author of Interactions:
A Thematic Reader (1991, 1994) and Contexts: Writing and Reading
(1985, 1989, 1993). She has published articles on Willa Cather in Southwestern
American Literature, Western American Literature, Willa Cather
Pioneer Memorial Newsletter, and elsewhere.
John J. Murphy, Brigham Young University, edits Literature
and Belief and the Cather Newsletter. He has edited two major collections
of Cather criticism and the Penguin My Ántonia and is the
author of My Ántonia: The Road Home and numerous articles
on Cather and other American writers. He is presently working on a book
on the religious vision of Cather's fiction.
Guy Reynolds lectures on English, American literature, and American
studies at the University of Kent, Canterbury, England. He is the author
of Willa Cather in Context: Progress, Race, Empire (1996) and is
currently compiling a Critical Assessments multivolume edition on
Cather.
Ann Romines teaches courses in U.S. women's writing and culture
at George Washington University, where she directs the graduate program
in English. She has written numerous essays and a book, The Home Plot:
Women, Writing and Domestic Ritual (1992), and is completing a cultural
study of Laura Ingalls Wilder's Little House series.
Merrill Maguire Skaggs is the author of After the World Broke
in Two: The Later Novels of Willa Cather (University Press of Virginia,
1990), as well as numerous articles on Cather. She studies and teaches
Southern writers while serving as professor of English in the Drew University
Graduate School in Madison, New Jersey.
Robert Thacker is professor of Canadian studies and director
of the program at St. Lawrence University, where he edits the American
Review of Canadian Studies. His The Great Prairie Fact and Literary
Imagination (New Mexico, 1989) defines Cather's prairie-based aesthetic
in her Nebraska fiction, and he has published articles on Cather in Approaches
to Teaching Cather's My Ántonia and Canadian Literature.
Along with Michael Peterman, Thacker co-directed the Sixth International
Cather Seminar in Quebec City.
Cynthia Griffin Wolff holds the Class of 1922 Chair of Humanities
at MIT. She has written three books: Samuel Richardson and the Eighteenth
Century Puritan Character; A Feast of Words: The Triumph of Edith
Wharton; and Emily Dickinson. She has edited more than a dozen
books and has authored numerous monographs and essays. Currently, she is
engaged in research for a literary biography of Willa Cather.
Paula Woolley is a Ph.D. candidate in English at Tufts University
in Medford, Massachusetts. She teaches writing at Tufts and has also taught
at Northeastern University in Boston.
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