Cather Studies, Volume 3
Edited by Susan J. RosowskiLincoln: University of Nebraska Press, 1996
Table of Contents
The Ideology of Cather's Catholic Progressivism: Death Comes for the
Archbishop
by Guy Reynolds
"Grande Communications avec Dieu": The Surrounding Power of Shadows
on the Rock
by Terence Martin
"The White Mulberry Tree" As Opera
by Mary Jane Humphrey
Gilt Diana and Ivory Christ: Love and Christian Charity in My Mortal
Enemy
by John J. Murphy
Her Mortal Enemy's Daughter: Cather and the Writing of Age
by Ann Romines
Thefts and Conversation: Cather and Faulkner
by Merrill Maguire Skaggs
The Allusive Cather
by Marilyn Arnold
"Fire and Wit": Storytelling and the American Artist in Cather's My
Ántonia
by Paula Woolley
"Distant and Correct": The Double Life and The Professor's House
by Michael Leddy
Spatial Structures and Forms in The Professor's House
by Ann Moseley
Time and Memory in Sapphira and the Slave Girl: Sex, Abuse, and
Art
by Cynthia Griffin Wolff
Reflections of Authority and Community in Sapphira and the Slave Girl
by Sharon Hoover
Cather and the New Canon: "The Old Beauty" and the Issue of Empire
by Elizabeth Ammons
Cather's Use of Light: An Impressionistic Tone
by Asad Al-Ghalith
Note
Four "New" Cather Letters to Annie Fields at the Huntington Library
by Robert Thacker
The Contributors
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