A Calendar of the Letters of Willa Cather

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To Achsah Barlow BrewsterNovember 29, [1923?], from Number Five Bank StreetDrew U (Brewster 22) 

Had a wonderful voyage home and enjoyed the company of Frank Swinnerton on the ship. Does not smoke much when at sea, so Edith will get a good many of Earl's cigarettes—and all the chocolate, too. Tried to describe their wonderful exhibition to Edith, but cannot articulate the power of Achsah's Ceylon paintings or Earl's sailors. Dorothy Canfield saw her off and raved about the exhibition, particularly Achsah's triptych. Sends love to Harwood.  Willa 

To Roscoe CatherMarch 2, [1908] on McClure's Magazine letterhead, from BostonUNL-Roscoe 

Has been in Boston since January and is now, after a couple of weeks with Mrs. Deland, back in the comfortable, old-fashioned Parker House. Has been seeing many remarkable people, including Winthrop Ames, an arts patron interested in Ibsen who has an air of ennui and the grandson of Otis [actually, Oliver] Ames. Listening to him talk, one thinks of that rocky monument to the Ames brothers on the mountain [near Laramie, Wyoming], and knows that they were not bothered with ennui. Oh, well, it is difficult being one of the first generation of sophisticates—think of the talk they heard about the Troll Garden. Is sailing for Naples with Isabelle on either April 8 on the Carpathia or on April 11 on the Freiderich der Grosse. Itinerary includes Naples, Capri, and Pompeii, Rome, a 300-mile walk along the Mediterranean from Monte Carlo to Marseilles, Arles, Avignon, and finally Paris. Seems odd to go to Rome after its long life in her imagination and education. One could say that Rome, London, and Paris were the three main cities in Nebraska. May or may not stop at London; has letters of introduction to Kipling, Maurice Hewlett, Barrie, and Conan Doyle, among others, but is more interested in places and ancient ruins than people right now. By comparison with Roman civilization, our own looks pretty shabby. The Roman civilization is still preserved in southern France, where people still live as in Virgil's Georgics. Has bought Roscoe several excellent pictures in Boston: Van Dyck's self-portrait, The Windmill (old Dutch), The Song of the Lark by Jules Breton, Wyeth's Calling the Moose and Indian Hunter, "The Dinkey Bird is Singing in the Amfalulu Tree" by Maxfield Parrish, and Remington's Caught in the Circle, all for $16.23, which Roscoe now owes her. Hopes he and Meta like them. If he doesn't appreciate the Van Dyck, she will be angry, as she has one and loves it. It was Jessie who thought he would like The Song of the Lark. Would have preferred to send older French and Dutch images herself, but thought he might prefer these moderns. Does he like The Queen's Quaire?   Willie 

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