CONTENTS

• The Ideology of Cather's Catholic Progressivism: Death Comes for the Archbishop
       by GUY REYNOLDS
• "Grande Communications avec Dieu": The Surrounding Power of Shadows on the Rock
       by TERENCE MARTIN
• "The White Mulberry Tree" As Opera
       by MARY JANE HUMPHREY
• Gilt Diana and Ivory Christ: Love and Christian Charity in My Mortal Enemy
       by JOHN J. MURPHY
• Her Mortal Enemy's Daughter: Cather and the Writing of Age
       by ANN ROMINES
• Thefts and Conversation: Cather and Faulkner
       by MERRILL MAGUIRE SKAGGS
• The Allusive Cather
       by MARILYN ARNOLD
• "Fire and Wit": Storytelling and the American Artist in Cather's My Àntonia
       by PAULA WOOLLEY
• "Distant and Correct": The Double Life and The Professor's House
       by MICHAEL LEDDY
• Spatial Structures and Forms in The Professor's House
       by ANN MOSELEY
• Time and Memory in Sapphira and the Slave Girl: Sex, Abuse, and Art
       by CYNTHIA GRIFFIN WOLFF
• Reflections of Authority and Community in Sapphira and the Slave Girl
       by SHARON HOOVER
• Cather and the New Canon: "The Old Beauty" and the Issue of Empire
       by ELIZABETH AMMONS
• Cather's Use of Light: An Impressionistic Tone
       by ASAD AL-GHALITH
• Four "New" Cather Letters to Annie Fields at the Huntington Library
       by ROBERT THACKER
• CONTRIBUTORS