Simply enter the word you wish to find and the search engine will search for every instance of the word in the journals. For example: Fight. All instances of the use of the word fight will show up on the results page.
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Entering in only one field | Searches |
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Year, Month, & Day | Single day |
Year & Month | Whole month |
Year | Whole year |
Month & Day | 1873-#-# to 1947-#-# |
Month | 1873-#-1 to 1947-#-31 |
Day | 1873-01-# to 1947-12-# |
Brown.See Gates,“Dis and Dat” (100).
In 1896, soon after her arrival in Pittsburgh, an editor from Cosmopolitan offered her $100 for her story
Population of the 100 Largest Cities and Other Urban Places in the United States: 1790 to 1990.
the seamstress Augusta to clarify the difference between the Magnificat and the litany of Loreto (99–100
page of that edition reads: "The Inferno, by Henri Barbusse, Author of Under Fire; Translated from the 100
language as a "mare's nest created by grammarians to keep the lower classes ignorant and in place" (Kelly 100
by Joseph Urgo, who defines religion as a cultural response to "the non-material essence of life" (100
discussions of Benjamin's philosophy of the city include Buck-Morss; Gilloch; Caygill 118-48; and Cutler 100
PMLA 100 (1985): 51-67.Stout, Janis P. Willa Cather: The Writer and Her World.
leaves, red California grapes, and two shapely, long-necked russet pears,” served with linen napkins (100
The human brain is the world's most complex biological phenomenon, with 100 billion neurons and 100 trillion
PMLA 100 (1985): 51-67.Sergeant, Elizabeth Shepley. Willa Cather: A Memoir. 1953.
that it seemed only men possessed, such women decided to cross rather than to blur gender boundaries. (100
negotiate the total image: “all the normal ways in which pigment, texture, and tone declare a likeness” (100
. identities the culture wished to keep still, pre-eminently those of the nude and the prostitute” (100
It was indeed a feast of modern art: 170 paintings plus 100 drawings and watercolors that collectively
Jean-François Millet, Peasants Bringing Home a Calf Born in the Fields, 1864, oil on canvas, 81.1 x 100
Chicago.Jean-François Millet, Peasants Bringing Home a Calf Born in the Fields, 1864, oil on canvas, 81.1 x 100
Jules Adolphe Breton, The Song of the Lark, 1884, oil on canvas, 81.1 x 100 cm, Henry Field Memorial
the Art Institute of Chicago.Jules Adolphe Breton, The Song of the Lark, 1884, oil on canvas, 81.1 x 100
is generally uninterested in and largely uninvolved in the “domestic drama” (The Professor’s House 100
Enemy 23), while the church at Ácoma "was more like a fortress than a place of worship" (Archbishop 100