Skip to main content

Search Results

Filter by:

Date


Dates in both fields not required
Entering in only one field Searches
Year, Month, & Day Single day
Year & Month Whole month
Year Whole year
Month & Day 1873-#-# to 1947-#-#
Month 1873-#-1 to 1947-#-31
Day 1873-01-# to 1947-12-#
Search : jewish
Creator : John H. Flannigan

4 results

Chicago's Cliff Dwellers and The Song of the Lark

  • Date: 2006
  • Creator(s): John N. Smith | Sarah Clere | Kelsey Squire | Mark A. R. Facknitz | Michelle E. Moore | Richard C. Harris | Amber Harris Leichner | Matthew Lavin | Julie Olin-Ammentorp | Diane Prenatt | Janis P. Stout | Joyce Kessler | John H. Flannigan
  • Category: Scholarship
Text:

Cather’s representation of this Jewish character is deeply marked by an ambivalence that Susan Meyer

shown as being at work in the representation of Louie in The Professor’s House.The Palmers were not Jewish

Nathanmeyer Jewish.

in Thea’s fate” (8) and concludes her longer reading of “The Diamond Mine” by suggesting that the Jewish

"Jazz Age" Places: Modern Regionalism in Willa Cather's The Professor's House

  • Date: 2006
  • Creator(s): John N. Smith | Sarah Clere | Kelsey Squire | Mark A. R. Facknitz | Michelle E. Moore | Richard C. Harris | Amber Harris Leichner | Matthew Lavin | Julie Olin-Ammentorp | Diane Prenatt | Janis P. Stout | Joyce Kessler | John H. Flannigan
  • Category: Scholarship
Text:

turn of mind in his family to a particular place, however, but rather to a person: Louie, who is Jewish

relationship to place through themes of diaspora and exile.Howard Wettstein explains that, especially from a Jewish

occurs in 1876, and by 1881 the term was used by Encyclopaedia Britannica to refer specifically to Jewish

Diasporas and Exiles: Varieties of Jewish Identity. Ed. Howard Wettstein.

Cather's "Office Wives" Stories and Modern Women's Work

  • Date: 2006
  • Creator(s): John N. Smith | Sarah Clere | Kelsey Squire | Mark A. R. Facknitz | Michelle E. Moore | Richard C. Harris | Amber Harris Leichner | Matthew Lavin | Julie Olin-Ammentorp | Diane Prenatt | Janis P. Stout | Joyce Kessler | John H. Flannigan
  • Category: Scholarship
Text:

For example, the third-person narrator uses Jewish stereotypes to describe Becky: she is “a thin, tense-faced

Despite the stock Jewish stereotypes Cather deploys, she also creates in Becky and Rena two sympathetic

"I'm Working, I'm Working":The Industrious Artist of Pittsburgh in Willa Cather's The Century Illustrated Monthly Magazine Publications

  • Date: 2021
  • Creator(s): Timothy W. Bintrim | James A. Jaap | Kimberly Vanderlaan | Ann Romines | Daryl W. Palmer | Michael Gorman | Mary Ruth Ryder | Charmion Gustke | Todd Richardson | Diane Prenatt | John H. Flannigan | Kelsey Squire | Joseph C. Murphy | Angela Conrad | John J. Murphy
  • Category: Scholarship
Text:

In “Scandal,” Siegmund Stein, a Jewish “department store millionaire,” attempts to fool the public by

Both “Scandal” and “Ardessa” contain uncomfortable stereotypes of Jewish characters.11 And the portrait

“Willa Cather and the Geography of Jewishness.”