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In addition to being ambitious and internationally connected, Louie is also Jewish, a fact that enables

While the Jewish banker, unlike the storekeeper, was beyond the immediate experience of the average American

, he learned about that evil figure from Greenback leaders who warned of international Jewish banking

Peter's resistance to his Jewish son-in-law by suggesting that Louie is not really "foreign" at all,

adequately account for the ambivalence of Marsellus's portrait, nor does it explore the relevance of Jewish

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In Louis Lambert he draws on these in a benign way, inventing a Jewish ancestor for the young woman with

Her features showed Jewish beauty in the purest form: those oval lines, so expansive and virginal, have

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Isabelle married Jan Hambourg, a concert violinist of Russian Jewish and English background who was known

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Cather’s representation of this Jewish character is deeply marked by an ambivalence that Susan Meyer

shown as being at work in the representation of Louie in The Professor’s House.The Palmers were not Jewish

Nathanmeyer Jewish.

in Thea’s fate” (8) and concludes her longer reading of “The Diamond Mine” by suggesting that the Jewish

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turn of mind in his family to a particular place, however, but rather to a person: Louie, who is Jewish

relationship to place through themes of diaspora and exile.Howard Wettstein explains that, especially from a Jewish

occurs in 1876, and by 1881 the term was used by Encyclopaedia Britannica to refer specifically to Jewish

Diasporas and Exiles: Varieties of Jewish Identity. Ed. Howard Wettstein.

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For example, the third-person narrator uses Jewish stereotypes to describe Becky: she is “a thin, tense-faced

Despite the stock Jewish stereotypes Cather deploys, she also creates in Becky and Rena two sympathetic

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capitalist society can be reimagined by reading its fragmentary forms against the grain of progress.The Jewish

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All biblical citations come from Tanakh: The Holy Scriptures (Philadelphia: Jewish Publication Society

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desires.Beyond this public outburst (more noted now for its nativism—the young critic is of "German, Jewish

Brill himself, the Austrian Jewish immigrant who translated Freud into English and headed the American

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New waves of immigrants from southern and eastern Europe—Catholic, Orthodox, and Jewish rather than the

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York universities, 'violently inoculated with Freud,' and most likely of foreign descent, perhaps Jewish

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The postwar commercial development of the Outland engine falls to the Jewish arriviste Louie Marsellus