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  • 2006 7
Search : 不凡剑仙100集免费播放下载安装
Year : 2006

7 results

Thea at the Art Institute

  • Date: 2006
  • Creator(s): John N. Smith | Sarah Clere | Kelsey Squire | Mark A. R. Facknitz | Michelle E. Moore | Richard C. Harris | Amber Harris Leichner | Matthew Lavin | Julie Olin-Ammentorp | Diane Prenatt | Janis P. Stout | Joyce Kessler | John H. Flannigan
  • Category: Scholarship
Text:

Jean-François Millet, Peasants Bringing Home a Calf Born in the Fields, 1864, oil on canvas, 81.1 x 100

Chicago.Jean-François Millet, Peasants Bringing Home a Calf Born in the Fields, 1864, oil on canvas, 81.1 x 100

Jules Adolphe Breton, The Song of the Lark, 1884, oil on canvas, 81.1 x 100 cm, Henry Field Memorial

the Art Institute of Chicago.Jules Adolphe Breton, The Song of the Lark, 1884, oil on canvas, 81.1 x 100

"The Cruelty of Physical Things": Picture Writing and Violence in Willa Cather's "The Profile"

  • Date: 2006
  • Creator(s): John N. Smith | Sarah Clere | Kelsey Squire | Mark A. R. Facknitz | Michelle E. Moore | Richard C. Harris | Amber Harris Leichner | Matthew Lavin | Julie Olin-Ammentorp | Diane Prenatt | Janis P. Stout | Joyce Kessler | John H. Flannigan
  • Category: Scholarship
Text:

negotiate the total image: “all the normal ways in which pigment, texture, and tone declare a likeness” (100

. identities the culture wished to keep still, pre-eminently those of the nude and the prostitute” (100

Willa Cather and Henry Blake Fuller: More Building Blocks for The Professor's House

  • Date: 2006
  • Creator(s): John N. Smith | Sarah Clere | Kelsey Squire | Mark A. R. Facknitz | Michelle E. Moore | Richard C. Harris | Amber Harris Leichner | Matthew Lavin | Julie Olin-Ammentorp | Diane Prenatt | Janis P. Stout | Joyce Kessler | John H. Flannigan
  • Category: Scholarship
Text:

is generally uninterested in and largely uninvolved in the “domestic drama” (The Professor’s House 100

"The Nude Had Descended the Staircase": Katherine Anne Porter Looks at Willa Cather Looking at Modern Art

  • Date: 2006
  • Creator(s): John N. Smith | Sarah Clere | Kelsey Squire | Mark A. R. Facknitz | Michelle E. Moore | Richard C. Harris | Amber Harris Leichner | Matthew Lavin | Julie Olin-Ammentorp | Diane Prenatt | Janis P. Stout | Joyce Kessler | John H. Flannigan
  • Category: Scholarship
Text:

It was indeed a feast of modern art: 170 paintings plus 100 drawings and watercolors that collectively

"Jazz Age" Places: Modern Regionalism in Willa Cather's The Professor's House

  • Date: 2006
  • Creator(s): John N. Smith | Sarah Clere | Kelsey Squire | Mark A. R. Facknitz | Michelle E. Moore | Richard C. Harris | Amber Harris Leichner | Matthew Lavin | Julie Olin-Ammentorp | Diane Prenatt | Janis P. Stout | Joyce Kessler | John H. Flannigan
  • Category: Scholarship
Text:

leaves, red California grapes, and two shapely, long-necked russet pears,” served with linen napkins (100

Art and the Commerical Object as Ekphrastic Subjects in The Song of the Lark and The Professor's House

  • Date: 2006
  • Creator(s): John N. Smith | Sarah Clere | Kelsey Squire | Mark A. R. Facknitz | Michelle E. Moore | Richard C. Harris | Amber Harris Leichner | Matthew Lavin | Julie Olin-Ammentorp | Diane Prenatt | Janis P. Stout | Joyce Kessler | John H. Flannigan
  • Category: Scholarship
Text:

the seamstress Augusta to clarify the difference between the Magnificat and the litany of Loreto (99–100

One of Ours

  • Date: 2006
  • Creator(s): Cather, Willa, 1873-1947 | Willa Cather
  • Category: Writings
Text:

According to Bladen: The First 100 Years , telephone service came to that town between 1900 and 1914.

to the character Enid of Tennyson's tale "Enid and Geraint" in Idylls of the King (see Rosowski 99-100