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Entering in only one field | Searches |
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Year, Month, & Day | Single day |
Year & Month | Whole month |
Year | Whole year |
Month & Day | 1873-#-# to 1947-#-# |
Month | 1873-#-1 to 1947-#-31 |
Day | 1873-01-# to 1947-12-# |
the seamstress Augusta to clarify the difference between the Magnificat and the litany of Loreto (99–100
leaves, red California grapes, and two shapely, long-necked russet pears,” served with linen napkins (100
According to Bladen: The First 100 Years , telephone service came to that town between 1900 and 1914.
to the character Enid of Tennyson's tale "Enid and Geraint" in Idylls of the King (see Rosowski 99-100
negotiate the total image: “all the normal ways in which pigment, texture, and tone declare a likeness” (100
. identities the culture wished to keep still, pre-eminently those of the nude and the prostitute” (100
It was indeed a feast of modern art: 170 paintings plus 100 drawings and watercolors that collectively
Jean-François Millet, Peasants Bringing Home a Calf Born in the Fields, 1864, oil on canvas, 81.1 x 100
Chicago.Jean-François Millet, Peasants Bringing Home a Calf Born in the Fields, 1864, oil on canvas, 81.1 x 100
Jules Adolphe Breton, The Song of the Lark, 1884, oil on canvas, 81.1 x 100 cm, Henry Field Memorial
the Art Institute of Chicago.Jules Adolphe Breton, The Song of the Lark, 1884, oil on canvas, 81.1 x 100
is generally uninterested in and largely uninvolved in the “domestic drama” (The Professor’s House 100