McClung, Frances A. Merritt (1852-1913) (“Fannie”). Isabelle McClung’s mother. Born in Cherry Valley, NY, Fannie Merritt married Samuel A. McClung in 1874, and lived with him in Pittsburgh, PA, where they had three children, Isabelle, Samuel Jr., and Edith. In 1901 Isabelle McClung invited Cather to reside in the McClung family home in the Squirrel Hill neighborhood of Pittsburgh, and Cather lived there until her 1906 move to New York City, often returning there to write. Fannie McClung died suddenly at home after an illness of a few hours.

Wagner, Richard (1813-1883). German composer. Richard Wagner was born in Leipzig, Germany. He taught himself to play the piano and the principles of composition, partly by studying the scores of Beethoven's works, and was also deeply influenced by his reading of Shakespeare, Schiller, and Goethe. His early operas before Rienzi (1842) were unsuccessful. In the wake of its success he began to develop his more characteristic style. Although The Flying Dutchman (1843), Tannhäuser (1845), and Lohengrin (1850) were popular, critics were often hostile, and his involvement with the Revolution of 1848 in Germany forced him to flee into exile in Zurich, where he wrote on social and musical issues, and composed the poem, The Ring of the Nibelung, upon which his four Ring operas were based. The difficulty of staging these titanic works led him to put them aside for such works as Tristan and Isolde (1859). His financial difficulties were alleviated when Ludvig II of Bavaria became his patron. Wagner toured Europe to raise money for a new kind of theater at Bayreuth, which would be capable of presenting the Ring; the work was first given in its entirety at Bayreuth in 1876. His last work was Parsifal (1882). Cather was an avid opera fan, and references to his works appear throughout her works, most prominently “A Wagner Matinee” (1904) and The Song of the Lark (1915). She recommended Wagner’s autobiography My Life to Elizabeth Shepley Sergeant, praising it as “all action” (#0219), and wrote a preface for a 1925 edition of Gertrude Hall’s Wagnerian Romances (1925).