Guide to Reading Letter Transcriptions
Some of these features are only visible when "plain text" is off.
| Textual Feature | Appearance |
|---|---|
| passage deleted with a strikethrough mark | |
| passage deleted by overwritten added letters | |
| passage added above the line | passage with added text above |
| passage added on the line | passage with added text inline |
| passage added in the margin | passage with text added in margin |
| handwritten addition to a typewritten letter | typed passage with added handwritten text |
| missing or unreadable text | missing text noted with "[illegible]" |
| uncertain transcriptions | word[?] |
| notes written by someone other than Willa Cather | Note in another's hand |
| printed letterhead text | printed text |
| text printed on postcards, envelopes, etc. | printed text |
| text of date and place stamps | stamped text |
| passage written by Cather on separate enclosure. | written text |
I've been hoping to waken up one of these autumn mornings and find myself free to go to you for a few days. The time is not yet, but I'm full of hope for it. I won't be cossetted and fed in bed, however. If I go I shall expect to make myself useful in the "domestic world" if I can. Josephine3 and the apartment4 have been taking a good deal of time (though I work every morning) If one has a good maid, she's a responsibility, too, and when all the rugs and curtains have gone to the cleaners there are a great many things that must be got into shape. I'm a laborious sort of housekeeper, having begun it later than most women, after a wandering life. An apartment is a curse and a chain, but when you have some things you love in it, you have to keep it up.
How funny that the oil sketch your mother5 did of me should turn up! To this day it's the only one I've ever sat for. Well, I've turned up, too. Consider it symbolic.
Claude6 is going very well, with comforting re-orders
from the West. Total about 17,000 now, I believe. I think they advertise they've
sold 35,000. What awful liars publishers are—as everyone knows that, no one but the
farmer in Nebraska7 or country schoolteacher
is in the least deceived. I am writing this note in a very comfortable spot in
Central Park (very accessible to me by subway) trying to pretend I do not hear any
motor horns. I do not go home8 until
November, about the middle, as mother9
particularly wants me to spend this Thanksgiving and Christmas with her. I have not
been at home for the Holidays since I first
left Nebraska10, al almost a life-time
ago.
I wrote you my appendix11 is satisfactory for the present? Goodbye for today, and my particular love to your mother, please.
Yours Willa.Information about this letter:
- Source File:
- cat.let0638.xml
- Letter identifier
- 0638
- Contents
- Document is one leaf, handwritten on recto and verso.
- Person to whom letter was written
- Dorothy Canfield Fisher1
- Date letter was written
- [October 19 or 26, 1922]
- Explanation of conjectured date
-
This letter was written in the weeks following #0624 (which referenced the prospect of re-orders) on a Thursday before the beginning of November.
- Place letter was written
- New York, New York, United States2
- Location of original letter
- Dorothy Canfield Collection (mss-975), University of Vermont, Bailey-Howe Library, Burlington, VT
Individual Annotations
5 Bank Street (New York City): The apartment Cather shared with Edith Lewis beginning in 1912, located in Greenwich Village in the Manhattan borough of New York City. Subway construction forced Cather and Lewis to relocate in 1927.
Cather had not spent the Christmas holidays in Red Cloud since 1895, a few months before she left Nebraska to take a job in Pittsburgh, PA.
Though Cather feared she may need surgery to remove her appendix in 1922, that did not prove necessary until 1942.
Person Annotations
Fisher, Dorothy Canfield (1879-1958). American novelist; educational
and social reformer. Dorothy Canfield and Willa Cather became
friends in 1891 at the University of Nebraska in Lincoln, where Canfield's
father, James Canfield, had come to serve as Chancellor. The family moved to
Columbus, OH, in 1895 when James Canfield assumed the presidency of Ohio
State University, from which Dorothy graduated in 1899. She then followed
her father to New York City, where he became Librarian of Columbia
University, and she pursued graduate study in Romance Languages at the
University of Paris and Columbia, from which she earned a PhD in 1904. On
Cather’s first trip to Europe, she spent time in France and England with
Canfield, including an awkward visit to the home of poet A.E. Housman.
Cather derived the central character of “The Profile” (1907) from Canfield’s
friend Evelyn Osborne, whom Cather had met in Europe. Cather and Canfield
became estranged for more than a decade because Canfield objected to the
story’s planned inclusion in The Troll Garden (1905).
Canfield married John Redwood Fisher in 1907, and their primary residence
was Arlington, VT. Canfield Fisher had spent 1916-1918 in France engaging in
war relief work, and Cather’s consultation with her about the accuracy of
her depiction of wartime France in One of Ours (1922)
led them to reconcile. In 1925 Canfield Fisher became a founding member of
the Book of the Month Club selection committee. She published her novels
(most of them very popular) under the name Dorothy Canfield but her various
nonfiction works as Dorothy Canfield Fisher.
Bourda, Joséphine Marie Bernardine Brun (1892-1959). Cather’s maid. Raised in Lourdes in the Pyrénées region of France, Joséphine’s father Jean-Marie Brun ran a restaurant. In 1909 she married Alphonse Bourda, and they had two children, Marie, born 1910, and Clémentine, born 1912. In 1913 Joséphine, Alphonse, and Joséphine’s father immigrated to the U.S., leaving Marie and Clémentine behind with relatives. Alphonse and Joséphine’s third child, Jeanette, was born in New York City in late 1913. Soon after, Joséphine found work cooking and keeping house for Willa Cather and Edith Lewis in their Five Bank Street apartment. In 1919 the Bourda family was reunited in New York and Joséphine stopped working, but by late 1921, she was back working half days until sometime after 1925. She resumed working for Cather and Lewis in 1932 when they moved to a new apartment at 570 Park Avenue, but in 1935, she and her husband decided to return to France because of his failing health. Cather considered Joséphine a personal friend and praised her as “an artist in her way” (#0563). Cather and Bourda evidently corresponded after her return to France but their letters have not surfaced. She died in the village of Saint Pé de Bigorre.
Canfield, Flavia Camp (1844-1930). Clubwoman; painter; mother of Dorothy Canfield. Flavia Camp was born in Wisconsin, although her family came from Vermont. She was an early graduate of the University of Wisconsin and taught school and art before marrying James H. Canfield in 1873. Their son James A. Canfield was born in 1874, and their daughter Dorothy in 1879. A painter, Flavia studied in Europe, taking her daughter with her on several occasions. She was an activist and social reformer as well, believing in the power of women to effect change by organizing. She was one of the founders of the University of Nebraska Women’s Club, as well as the Ohio State Women’s Club and many others, and was president of the Ohio Federation of Women’s Clubs. Late in her life she wrote Around the World at Eighty (1926), an account of a world tour she took at that age.
Cather, Mary Virginia Boak (1850-1931) (“Virginia” or
“Jenny”). Cather’s mother. Born in the Virginia to William Lee
Boak and Rachel Seibert Boak, Virginia was educated in Baltimore, MD, and
was a schoolteacher until her marriage to Charles Fectigue Cather in 1872.
Her husband’s family were primarily Union supporters during the Civil War
while her family supported the Confederacy (three brothers served in the
Confederate Army although their mother opposed slavery). After her marriage
she tried to help unite the divided family. Four of her children, Willa,
Roscoe, Charles Douglas, and Jessica Virginia, were born in Virginia, while
three, James Donald, Elsie Margaret, and John Esten, were born in Nebraska
after the family moved there in 1883. Despite occasional differences, Cather
remained in affectionate contact with her mother, who remained in Red Cloud,
NE, where the family settled in 1884. After her husband’s death in 1928
Virginia Cather suffered a stroke while visiting her children and their
families in California. She spent nearly three years in a sanitarium in
Pasadena, CA, unable to speak. Willa Cather visited her there several times
but was unable to travel quickly enough from Grand Manan to Red Cloud for
her funeral and interment after she died in Pasadena in 1931. Virginia
Cather was the prototype for Victoria Templeton in “Old Mrs. Harris” (1932),
which Willa Cather completed shortly before her mother’s death.
Place Annotations
Work Annotations
One of Ours (1922) by Willa Cather
