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Some weeks ago I wrote my publisher3 to send
you my new book4. I could not autograph it, for I was
then travelling in a remote part of Canada5.
The book has probably reached you before this, and if you have had leisure to read
it you probably agree with me that one of the stories at least, "Old Mrs. Harris"6, strikes a more authentic note than
the Quebec story7 I sent you a year ago. A story A book which grows out of admiration and
study never has the authentic ring of a book that grows out of early experiences.
Nevertheless, I do believe in a rotation of crops,—in writing as well as in
agriculture.
You asked me, after I sent ⬩W⬩S⬩C⬩ you the Quebec story, whether I were on the road to becoming a Catholic. By no means! I do, however, admire the work of the Catholic missionary priests on this continent.
I find I have a copy of a letter8 I wrote Governor Cross9 of Connecticut10, after his review11 of the book appeared. I am enclosing it, as an explanation of how I happened to write "Shadows on the Rock." The work of the French Catholic missionaries was unique in that they brought with them a kind of culture and a way of living. These endure to this day—in the Province of Quebec12, at least.
Please let me say in closing that your interest in my books is one of the most deeply
satisfying things that have come to me as a writer. I don't believe they would ⬩W⬩S⬩C⬩
would have caught your attention if there were
not something genuine and indigenous in them. The longer I live the more I feel that
I am willing to be ever so little, if only I can be ever so true true.