Menuhin, Yaltah (1921-2001). Pianist. Born in San Francisco, CA, to Moshe and Marutha Sher Menuhin, immigrant Russian Jews by way of Palestine, Yaltah began studying piano at the age of three. The studies and career of her older brother, violinist Yehudi, dominated the family (their second child, Hepzibah, was also a pianist). In 1930, the Menuhin family took up residence in Paris, where Cather first met them in the home of Jan Hambourg and Isabelle McClung Hambourg and became a family friend; the children called her “Aunt Willa.” In the 1930s, the Menuhin family made the Ansonia Hotel its home base during their frequent stays in New York City. Cather took the Menuhin children on walks around Central Park, read Shakespeare with them, and gave them books as gifts. The family purchased a ranch in Los Gatos, CA, in 1935. As Yaltah grew older and wanted to pursue her own musical career, her relationship with her mother grew difficult—Marutha supported Hepzibah’s role as Yehudi’s accompanist but believed a solo career inappropriate for a woman (even though many recognized that Yaltah was the most gifted musician of the three children). In June 1938, just shy of her seventeenth birthday and apparently under duress from her mother, Yaltah married William Stix, a lawyer from St. Louis, MO, who worked in Washington, DC; Cather attended the wedding. In 1939 Yaltah first separated from and then divorced Stix. In 1941, she eloped with U.S. Army officer Benjamin Rolfe. Her parents publicly disavowed the marriage and she and her mother stopped speaking to one another. The Rolfes had two children, Robert and Lionel. None of Cather’s extant letters to Yaltah mention the turmoil surrounding her marriage, divorce, and remarriage, however. Yaltah’s final marriage to American pianist Joel Ryce was long and happy, and during it she pursued a performing career. According to her son Lionel Rolfe, she treasured her letters from Cather and often reread them. She eventually gave them to him so he could sell them and use the funds to support his aspiration to become a writer.

Wagner, Richard (1813-1883). German composer. Richard Wagner was born in Leipzig, Germany. He taught himself to play the piano and the principles of composition, partly by studying the scores of Beethoven's works, and was also deeply influenced by his reading of Shakespeare, Schiller, and Goethe. His early operas before Rienzi (1842) were unsuccessful. In the wake of its success he began to develop his more characteristic style. Although The Flying Dutchman (1843), Tannhäuser (1845), and Lohengrin (1850) were popular, critics were often hostile, and his involvement with the Revolution of 1848 in Germany forced him to flee into exile in Zurich, where he wrote on social and musical issues, and composed the poem, The Ring of the Nibelung, upon which his four Ring operas were based. The difficulty of staging these titanic works led him to put them aside for such works as Tristan and Isolde (1859). His financial difficulties were alleviated when Ludvig II of Bavaria became his patron. Wagner toured Europe to raise money for a new kind of theater at Bayreuth, which would be capable of presenting the Ring; the work was first given in its entirety at Bayreuth in 1876. His last work was Parsifal (1882). Cather was an avid opera fan, and references to his works appear throughout her works, most prominently “A Wagner Matinee” (1904) and The Song of the Lark (1915). She recommended Wagner’s autobiography My Life to Elizabeth Shepley Sergeant, praising it as “all action” (#0219), and wrote a preface for a 1925 edition of Gertrude Hall’s Wagnerian Romances (1925).

Menuhin, Marutha Sher (c. 1892-1996). Mother of Yehudi, Hepzibah and Yaltah Menuhin. Born in Russia, Marutha Sher married Moshe Mnuchin, a Hebrew teacher, in 1914. After brief stays in Palestine and New York City, where son Yehudi was born, they moved to San Francisco, CA, in 1917 and changed their surname to Menuhin. Their daughters Hepzibah and Yaltah were born in San Francisco. They educated all three children at home and sought out musical instruction for them when each was a small child. However Yehudi’s career as a violinist was given top priority. With the support of Yehudi’s patron Sidney Ehrman the family moved to New York City and Paris to advance Yehudi’s musical studies. In 1930, the Menuhin family took up residence in Paris, where Cather first met them in the home of Jan Hambourg and Isabelle McClung Hambourg. Cather evidently approved of Marutha’s parenting of her gifted children, and they became friends. In the 1930s, the Menuhin family made the Ansonia Hotel its home base during their frequent stays in New York City, and Marutha encouraged Cather’s growing relationship with her children. The family purchased a ranch in in Los Gatos, CA, in 1935, which became Marutha’s primary residence when she was not on tour with her children. Her relationships with Yehudi and Hepzibah remained strong as they emerged into adulthood, but Yaltah rebelled against her mother’s authority and the two became alienated from one another. Although only one brief letter from Cather to Marutha Menuhin is known, they evidently carried out a regular correspondence. Marutha Menuhin died in Los Gatos.

Menuhin, Yehudi (1916-1999). Violinist and conductor. Born in New York City to Moshe Mnuchin and Marutha Sher Mnuchin, immigrant Russian Jews by way of Palestine who changed the spelling of their surname and moved the family to San Francisco in 1918, Yehudi started violin lessons at age four and made his first public appearance in 1922. His two younger siblings, Hepzibah and Yaltah, studied piano, although his parents prioritized the musical career of their son over their daughters. With the support of patron Sidney Ehrman, the Menuhin family followed Yehudi’s teacher Louis Persinger to New York City. Ehrman also sponsored Yehudi for a year of study in Paris, France, with Georges Enesco. Yehudi began attracting national attention in 1927 and recorded and toured the U.S. in 1929. That year at Carnegie Hall, his performance of concertos by Bach, Beethoven, and Brahms with Bruno Walter and the Berlin Philharmonic inspired Albert Einstein to proclaim “now I know there is a God in Heaven”; Cather was also in the audience for this concert. In 1930, the Menuhin family took up residence in Paris, where Cather first met them in the home of Jan Hambourg and Isabelle McClung Hambourg and became a family friend; the children called her “Aunt Willa.” In the 1930s, the Menuhin family made the Ansonia Hotel its home base during their frequent stays in New York City. Cather took the Menuhin children on walks around Central Park, read Shakespeare with them, and gave them books as gifts. Yehudi’s sister Hepzibah accompanied her brother on piano; they made their first recording together in 1933 and often performed together. The family purchased a ranch in Los Gatos, CA, in 1935, and after a world tour that year, Yehudi withdrew from performing for 18 months and stayed at the ranch with his family. He returned to the concert stage in 1937 and met and married Nola Nicholas in 1938 (Hepzibah married Nola’s brother Lindsay). Yehudi and Nola had two children, Krov and Zamira. Cather enjoyed a late life visit from Hepzibah and Yehudi and their families in 1947. Cather corresponded regularly with the adult Yehudi, giving him personal advice, although only one original letter has surfaced. In 1947, Yehudi and Nola divorced and he married British ballerina Diana Gould, with whom he had two more children. Living in Europe, he continued his career as a performer and also became a conductor, established a school in England, and became a British citizen. He died in Berlin, Germany, while on tour.

Landowska, Wanda Louise (1879-1959). Polish-French harpsichordist. Born in Warsaw, Wanda Landowska began playing the piano when she was four, later studying at conservatories in Warsaw, Berlin, and Paris. In 1900 she married Polish ethnomusicologist Henri Lew, who encouraged her interest in early music, particularly Bach, and she began performing on the harpsichord; she is credited with the revival of it as a performance instrument. Landowska moved to Paris in 1920, after the death of her husband, and made her first tour of the U.S. in 1923. She became a French citizen in 1938, but was forced to flee to the U.S. in 1940 after the Nazi invasion of France. Cather was interested in Landowska’s performances and recordings with Yehudi Menuhin.