Some of these features are only visible when "plain text" is off.
Textual Feature | Appearance |
---|---|
passage deleted with a strikethrough mark | |
passage deleted by overwritten added letters | |
passage added above the line | passage with added text above |
passage added on the line | passage with added text inline |
passage added in the margin | passage with text added in margin |
handwritten addition to a typewritten letter | typed passage with added handwritten text |
missing or unreadable text | missing text noted with "[illegible]" |
uncertain transcriptions | word[?] |
notes written by someone other than Willa Cather | Note in another's hand |
printed letterhead text | printed text |
text printed on postcards, envelopes, etc. | printed text |
text of date and place stamps | stamped text |
passage written by Cather on separate enclosure. | written text |
Your letter gave me great pleasure—the more because you talk in it of friends bitterly missed. You could hardly say anything that would please me more than to tell me that you think Miss Jewett4 would like my new book5. That was a kind word for you to say, and it goes to my heart. I am so glad that you have taken pleasure in the book and that it has not offended you as a musician. I put off writing the story for years because the woman had to be a singer, and because I hate most musical novels—a compound of a story and a lot of musical criticism which never blend. Even Evelynne Innes6 is such a failure as a novel. I am not a musician and I know about it only what who cares greatly for it may pick up in the course of very busy years. I never heard any music at all until I was sixteen, that means really none, and when I was seventeen I heard7 an orchestra and a symphony for the first time;—Theodore Thomas8 and the New World Symphony9 in Lincoln, Nebraska10. He happens to mention that day and that performance in his published letters11 to his wife12. It was a great day for me.
So I naturally felt timid about trying to present, or even to indicate, a character and a gift like Thea's. What I tried to do was to tell the human side of her story, of course, to present it as it looked to and as it affected her friends. My theme was always her "Moonstone-ness", and what she gave back to Moonstone13 in the end.
Please let me know when you come to New
York2. I do not want to miss seeing you. If you can, send me a a line before you come. I shall so love to have talk to you of Mrs.
Fields14. I sometimes think that only one who grew up in the rawest
part of what she used to call "our great West" could feel all the complete
completeness of her atmosphere.
I hope to see more of Miss Nielsen15