Guide to Reading Letter Transcriptions
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| Textual Feature | Appearance |
|---|---|
| passage deleted with a strikethrough mark | |
| passage deleted by overwritten added letters | |
| passage added above the line | passage with added text above |
| passage added on the line | passage with added text inline |
| passage added in the margin | passage with text added in margin |
| handwritten addition to a typewritten letter | typed passage with added handwritten text |
| missing or unreadable text | missing text noted with "[illegible]" |
| uncertain transcriptions | word[?] |
| notes written by someone other than Willa Cather | Note in another's hand |
| printed letterhead text | printed text |
| text printed on postcards, envelopes, etc. | printed text |
| text of date and place stamps | stamped text |
| passage written by Cather on separate enclosure. | written text |
k 3.24
MAR 20 1931
Filed by _____ Las Encinas3 March 17th Dear Blanche4 and Alfred5;
That was most remarkably good candy you sent me, and it was a great solace on the journey, for I don't like dining car desserts. I had a pleasant trip, but things here are pretty gloomy. My mother6 has failed greatly since I saw her last spring—there is very little left for her but wretched discomfort. I can be with her only a few hours a day, and the place is so full that I've not been able to get a cottage of my own yet, so I'm living a distracted sort of life.
I go up to San Francisco7 on March twentieth, and will be there8 for a week at least, hoping that during that time one of the cottages here will be vacated so that I can have a more or less orderly existence when I return. The management can't, of course, put a sick person out of his cottage to accommodate a well person.
I don't like Mr. Adler's9 design for
the jacket10—do you? It seems to me to be
"different" without distinction—just doesn't come off, somehow. I'd write
him, but I have not his address, I find. So I wish you'd take it up with
him. I think the shadow effects on the title page11 are enough—this carries it this idea too far.
Please remind the office to send all my mail to Miss Bloom12 (they have her address) and not to the Grosvenor13. I'll write you more cheerfully from San Francisco. My address there will be the Fairmont Hotel14.
Faithfully Willa Cather notedRMS
Information about this letter:
- Source File:
- cat.let2623.xml
- Letter identifier
- 2623
- Contents
- Document is one leaf, handwritten on recto and verso. Includes one enclosure.
- Person to whom letter was written
- Alfred A. Knopf and Blanche Wolf Knopf1
- Date letter was written
- March 17 [1931]
- Accompanying this letter
-
Includes enclosed draft of the dust jacket of Shadows on the Rock, designed by Elmer Adler.
- Place letter was written
- Pasadena, California, United States2
- Location of original letter
- Cather-Knopf Correspondence, The Dobkin Family Collection of Feminism, New York, NY
Individual Annotations
Las Encinas Sanitarium (Pasadena, CA): Established in 1904 by Dr. James H. McBride, the Southern California Sanitarium for Nervous Disorders was renamed Las Encinas Hospital for Nervous Disorders in 1917, and finally to Las Encinas Sanitarium in 1928. Willa Cather’s mother, Mary Virginia Boak Cather, spent the last three years of her life here, where Cather visited her in 1929, 1930, and 1931.
Cather was traveling to San Francisco to receive an honorary Doctor of Laws from the University of California, Berkeley.
Title page as published of the first edition of Shadows on the Rock (1931).
Grosvenor Hotel (New York City): When Cather and Edith Lewis lost their 5 Bank Street apartment in 1927, they moved into the Grosvenor Hotel, where they continued to live until 1932. The hotel was located at 35 Fifth Avenue in the Manhattan borough of New York City.
A grand hotel in the Nob Hill neighborhood of San Francisco, the Fairmont opened in 1907.
Person Annotations
Knopf, Alfred A. (1892-1984). President of New York
publisher Alfred A. Knopf, Inc. Knopf received his BA from
Columbia University in New York City in 1912 and founded Alfred Knopf, Inc.,
in 1915 with his future wife Blanche Wolf. They married in 1916, and their
son Alfred “Pat” Knopf was born in 1918. Cather chose him as her publisher
beginning with Youth and the Bright Medusa (1920) and
One of Ours (1922), partly because she was
dissatisfied with the promotion of her books by Houghton Mifflin but also
because she recognized the high quality of Knopf's books, as well as what
she regarded as his intelligent advertising. Knopf was noted for publishing
the work of leading European and South American writers in translation, as
well as original works. Knopf and Cather’s extensive correspondence
testifies to their mutual professional respect and to what also became an
important personal friendship.
Knopf, Blanche Wolf (1894-1966). Vice President of New York
publisher Alfred Knopf, Inc. Blanche Wolf founded Alfred Knopf,
Inc., in 1915 with her future husband Alfred Knopf. They married in 1916 and
their son Alfred “Pat” Knopf was born in 1918. Active in the business
throughout her life, Blanche Knopf recruited a number of prominent European
and Latin American writers to the Knopf list (in translation) by traveling
to meet them. In recognition of her work with writers such as Jean-Paul
Sartre and Albert Camus, she was inducted into the French Legion of Honor in
1949. She became president of Alfred Knopf, Inc., in 1957 when her husband
became chairman. Through her work in the publishing house she also promoted
writers of the Harlem Renaissance such as Langston Hughes. Cather’s letters
to Knopf focus primarily on business but the two also became friends.
Knopf, Blanche Wolf (1894-1966). Vice President of New York
publisher Alfred Knopf, Inc. Blanche Wolf founded Alfred Knopf,
Inc., in 1915 with her future husband Alfred Knopf. They married in 1916 and
their son Alfred “Pat” Knopf was born in 1918. Active in the business
throughout her life, Blanche Knopf recruited a number of prominent European
and Latin American writers to the Knopf list (in translation) by traveling
to meet them. In recognition of her work with writers such as Jean-Paul
Sartre and Albert Camus, she was inducted into the French Legion of Honor in
1949. She became president of Alfred Knopf, Inc., in 1957 when her husband
became chairman. Through her work in the publishing house she also promoted
writers of the Harlem Renaissance such as Langston Hughes. Cather’s letters
to Knopf focus primarily on business but the two also became friends.
Knopf, Alfred A. (1892-1984). President of New York
publisher Alfred A. Knopf, Inc. Knopf received his BA from
Columbia University in New York City in 1912 and founded Alfred Knopf, Inc.,
in 1915 with his future wife Blanche Wolf. They married in 1916, and their
son Alfred “Pat” Knopf was born in 1918. Cather chose him as her publisher
beginning with Youth and the Bright Medusa (1920) and
One of Ours (1922), partly because she was
dissatisfied with the promotion of her books by Houghton Mifflin but also
because she recognized the high quality of Knopf's books, as well as what
she regarded as his intelligent advertising. Knopf was noted for publishing
the work of leading European and South American writers in translation, as
well as original works. Knopf and Cather’s extensive correspondence
testifies to their mutual professional respect and to what also became an
important personal friendship.
Cather, Mary Virginia Boak (1850-1931) (“Virginia” or
“Jenny”). Cather’s mother. Born in Virginia to William Lee Boak
and Rachel Seibert Boak, Virginia was educated in Baltimore, MD, and was a
schoolteacher until her marriage to Charles Fectigue Cather in 1872. Her
husband’s family were primarily Union supporters during the Civil War while
her family supported the Confederacy (three brothers served in the
Confederate Army although their mother opposed slavery). After her marriage
she tried to help unite the divided family. Four of her children, Willa,
Roscoe, Charles Douglas, and Jessica Virginia, were born in Virginia, while
three, James Donald, Elsie Margaret, and John Esten, were born in Nebraska
after the family moved there in 1883. Despite occasional differences, Cather
remained in affectionate contact with her mother, who remained in Red Cloud,
NE, where the family settled in 1884. After her husband’s death in 1928
Virginia Cather suffered a stroke while visiting her children and their
families in California. She spent nearly three years in a sanitarium in
Pasadena, CA, unable to speak. Willa Cather visited her there several times
but was unable to travel quickly enough from Grand Manan to Red Cloud for
her funeral and interment after she died in Pasadena in 1931. Virginia
Cather was the prototype for Victoria Templeton in “Old Mrs. Harris” (1932),
which Willa Cather completed shortly before her mother’s death.
Adler, Elmer (1884-1962). American printer, publisher,
editor, and author. After moving from Rochester, NY, to New York
City, Adler founded the Pynson Printers in 1922. He also became a partner in
Random House in 1922 and founded the Colophon: A Book
Collector’s Quarterly in 1930. Adler’s Pynson press produced deluxe
limited editions of April Twilights and Other Poems
(1923) and December Night (1933) (an excerpt from Death Comes for the Archbishop). He also designed the
edition of Death Comes for the Archbishop illustrated
by Harold von Schmidt (1927), the title page for My Mortal
Enemy (1926) and the title page and dust jacket for Shadows on the Rock (1931). Adler approached Cather
in 1929 about contributing to a planned series in the Colophon on “Getting into Print”; her essay “My First Novels
(there were two)” finally appeared in 1931. In 1940, Adler established the
Department of Graphic Arts at Princeton University, where he remained until
1952. He then moved to Puerto Rico to establish La Casa del Libro, with
which he was associated until his death.
Bloom, Sarah J. (1889-1961). Cather's personal secretary. Born in New York in 1889 to Russian immigrants Solomon and Bertha Bloom, Sarah J. Bloom worked for Cather from some time in the 1920s until Cather's death and continued to work for Edith Lewis on matters pertaining to Cather's literary estate thereafter. Bloom typed Cather's literary manuscripts and managed Cather's correspondence, typing dictated letters and sometimes responding for Cather when she was traveling. Bloom’s work for Cather supplemented full-time office employment in New York City (for many years she worked for the New York State Public Service Commission). She thus came to Cather and Lewis's apartment on weekends to take dictation, pick up and deliver typescripts, and deliver typed letters for signature. She died in New York city in 1961.
Place Annotations
Work Annotations
Shadows on the Rock (1931) by Willa Cather
