Litchfield, Ethel Herr Jones (1876-after 1967). Pianist; Cather’s Pittsburgh friend. Born in New Brighton, PA, near Pittsburgh, to the Reverend David and Sarah Jones, Ethel traveled to Vienna, Austria, at age twenty to study with Theodor Leschetizky with the aim of becoming a concert pianist. However, Dr. Lawrence Litchfield followed her there to court her. They married in Vienna in 1898 and returned to Pittsburgh. They had three children, Ethel Carver (1899), Lawrence, Jr. (1900), and Margaret (1903). While her children were young, she largely gave up performing but entertained visiting musicians in their home in the Squirrel Hill neighborhood, where Cather met them in 1902. Cather, May Willard, Ethel Litchfield, and Isabelle McClung formed, as Cather would later recall, a “little group” that “melted together” (#1540). It has been suggested that Litchfield’s decision to give up her musical career for marriage informed Cather’s story “The Garden Lodge” (1905). As Litchfield’s children grew older, however, she returned to the concert stage. After the 1930 death of her husband, she moved to New York City, where she dined frequently with Cather and Edith Lewis and enjoyed listening with them to recordings of Yehudi and Hepzibah Menuhin.

Menuhin, Hephzibah (1920-1981). Pianist. Born in San Francisco, CA, to Moshe and Marutha Sher Menuhin, immigrant Russian Jews by way of Palestine, Hephzibah began studying piano at the age of four and gave her first recital at age eight. The studies and career of her older brother, violinist Yehudi, dominated the family (the youngest child, Yaltah, was also a pianist). In 1930, the Menuhin family took up residence in Paris, where Cather first met them in the home of Jan Hambourg and Isabelle McClung Hambourg and became a family friend; the children called her “Aunt Willa.” In the 1930s the Menuhin family made the Ansonia Hotel its home base during their frequent stays in New York City. Cather took the Menuhin children on walks around Central Park, read Shakespeare with them, and gave them books as gifts. Hephzibah served as Yehudi’s accompanist; they made their first recording together in 1933 and often performed together. The family purchased a ranch in Los Gatos, CA, in 1935. In 1938, after a concert in London, England, Hephzibah met Australian Lindsay Nicholas, whom she soon married (Yehudi married Lindsay’s sister Nola). She abandoned her plans for a solo debut at Carnegie Hall, moved with Nicholas to Australia, and had two sons, Kronrod and Marston. She continued to perform occasionally in Australia, including with Yehudi when he toured the country. Although Cather mentions carrying on a correspondence with Hephzibah after her move to Australia, these letters have not been located. Cather enjoyed a late life visit from Hephzibah and Yehudi and their families in 1947. In 1955, Hephzibah divorced Nicholas and married Richard Hauser. Together, they were active in human rights advocacy, and Hephzibah continued to perform. She died in London, England.

Menuhin, Yaltah (1921-2001). Pianist. Born in San Francisco, CA, to Moshe and Marutha Sher Menuhin, immigrant Russian Jews by way of Palestine, Yaltah began studying piano at the age of three. The studies and career of her older brother, violinist Yehudi, dominated the family (their second child, Hepzibah, was also a pianist). In 1930, the Menuhin family took up residence in Paris, where Cather first met them in the home of Jan Hambourg and Isabelle McClung Hambourg and became a family friend; the children called her “Aunt Willa.” In the 1930s, the Menuhin family made the Ansonia Hotel its home base during their frequent stays in New York City. Cather took the Menuhin children on walks around Central Park, read Shakespeare with them, and gave them books as gifts. The family purchased a ranch in Los Gatos, CA, in 1935. As Yaltah grew older and wanted to pursue her own musical career, her relationship with her mother grew difficult—Marutha supported Hepzibah’s role as Yehudi’s accompanist but believed a solo career inappropriate for a woman (even though many recognized that Yaltah was the most gifted musician of the three children). In June 1938, just shy of her seventeenth birthday and apparently under duress from her mother, Yaltah married William Stix, a lawyer from St. Louis, MO, who worked in Washington, DC; Cather attended the wedding. In 1939 Yaltah first separated from and then divorced Stix. In 1941, she eloped with U.S. Army officer Benjamin Rolfe. Her parents publicly disavowed the marriage and she and her mother stopped speaking to one another. The Rolfes had two children, Robert and Lionel. None of Cather’s extant letters to Yaltah mention the turmoil surrounding her marriage, divorce, and remarriage, however. Yaltah’s final marriage to American pianist Joel Ryce was long and happy, and during it she pursued a performing career. According to her son Lionel Rolfe, she treasured her letters from Cather and often reread them. She eventually gave them to him so he could sell them and use the funds to support his aspiration to become a writer.

Menuhin, Yehudi (1916-1999). Violinist and conductor. Born in New York City to Moshe Mnuchin and Marutha Sher Mnuchin, immigrant Russian Jews by way of Palestine who changed the spelling of their surname and moved the family to San Francisco in 1918, Yehudi started violin lessons at age four and made his first public appearance in 1922. His two younger siblings, Hepzibah and Yaltah, studied piano, although his parents prioritized the musical career of their son over their daughters. With the support of patron Sidney Ehrman, the Menuhin family followed Yehudi’s teacher Louis Persinger to New York City. Ehrman also sponsored Yehudi for a year of study in Paris, France, with Georges Enesco. Yehudi began attracting national attention in 1927 and recorded and toured the U.S. in 1929. That year at Carnegie Hall, his performance of concertos by Bach, Beethoven, and Brahms with Bruno Walter and the Berlin Philharmonic inspired Albert Einstein to proclaim “now I know there is a God in Heaven”; Cather was also in the audience for this concert. In 1930, the Menuhin family took up residence in Paris, where Cather first met them in the home of Jan Hambourg and Isabelle McClung Hambourg and became a family friend; the children called her “Aunt Willa.” In the 1930s, the Menuhin family made the Ansonia Hotel its home base during their frequent stays in New York City. Cather took the Menuhin children on walks around Central Park, read Shakespeare with them, and gave them books as gifts. Yehudi’s sister Hepzibah accompanied her brother on piano; they made their first recording together in 1933 and often performed together. The family purchased a ranch in Los Gatos, CA, in 1935, and after a world tour that year, Yehudi withdrew from performing for 18 months and stayed at the ranch with his family. He returned to the concert stage in 1937 and met and married Nola Nicholas in 1938 (Hepzibah married Nola’s brother Lindsay). Yehudi and Nola had two children, Krov and Zamira. Cather enjoyed a late life visit from Hepzibah and Yehudi and their families in 1947. Cather corresponded regularly with the adult Yehudi, giving him personal advice, although only one original letter has surfaced. In 1947, Yehudi and Nola divorced and he married British ballerina Diana Gould, with whom he had two more children. Living in Europe, he continued his career as a performer and also became a conductor, established a school in England, and became a British citizen. He died in Berlin, Germany, while on tour.

Beethoven, Ludwig van (1770-1827). German composer and pianist. Born in Bonn, in the Electorate of Cologne (later part of Germany), Ludgwig van Beethoven moved to Vienna, Austria, to study music composition with Joseph Haydn and became known as a virtuosic piano performer and one of the most important composers of his generation. Although his deteriorating hearing caused him to withdraw from conducting and public performance in 1811, many of his most admired works were composed after this withdrawal. He died in Vienna. Cather’s early journalism demonstrates her familiarity with Beethoven’s life and works, and she continued to enjoy listening to his works as a concertgoer.