Burroughs, Ella Louise Guerber (1900-1985) (“Louise”). American librarian and curator. Ella Louise Guerber was born in Allentown, PA, and graduated from Cedar Crest College in 1919 and then the library school at Columbia University. At the time she met Cather in 1925, she was a reference librarian at the Denver Public Library and assisted Cather with her research on Death Comes for the Archbishop (1927). In 1926, Guerber moved to New York City to take a position at the Metropolitan Museum of Art, and she saw Cather frequently in person. She married Bryson Burroughs, Curator of Paintings, in 1928; he died in 1934. In 1950, when she received an honorary degree from Cedar Crest, she was Associate Curator of Paintings at the Met. After her retirement, she moved to Baltimore, MD, and then Princeton, NJ, where she died. Her friendship with Cather is documented by more than seventy letters from Cather to Burroughs from 1925 through Cather’s late life and by a diary documenting her in-person interactions with Cather from 1925 through 1927.

Wagner, Richard (1813-1883). German composer. Richard Wagner was born in Leipzig, Germany. He taught himself to play the piano and the principles of composition, partly by studying the scores of Beethoven's works, and was also deeply influenced by his reading of Shakespeare, Schiller, and Goethe. His early operas before Rienzi (1842) were unsuccessful. In the wake of its success he began to develop his more characteristic style. Although The Flying Dutchman (1843), Tannhäuser (1845), and Lohengrin (1850) were popular, critics were often hostile, and his involvement with the Revolution of 1848 in Germany forced him to flee into exile in Zurich, where he wrote on social and musical issues, and composed the poem, The Ring of the Nibelung, upon which his four Ring operas were based. The difficulty of staging these titanic works led him to put them aside for such works as Tristan and Isolde (1859). His financial difficulties were alleviated when Ludvig II of Bavaria became his patron. Wagner toured Europe to raise money for a new kind of theater at Bayreuth, which would be capable of presenting the Ring; the work was first given in its entirety at Bayreuth in 1876. His last work was Parsifal (1882). Cather was an avid opera fan, and references to his works appear throughout her works, most prominently “A Wagner Matinee” (1904) and The Song of the Lark (1915). She recommended Wagner’s autobiography My Life to Elizabeth Shepley Sergeant, praising it as “all action” (#0219), and wrote a preface for a 1925 edition of Gertrude Hall’s Wagnerian Romances (1925).