Burroughs, Ella Louise Guerber (1900-1985) (“Louise”). American librarian and curator. Ella Louise Guerber was born in Allentown, PA, and graduated from Cedar Crest College in 1919 and then the library school at Columbia University. At the time she met Cather in 1925, she was a reference librarian at the Denver Public Library and assisted Cather with her research on Death Comes for the Archbishop (1927). In 1926, Guerber moved to New York City to take a position at the Metropolitan Museum of Art, and she saw Cather frequently in person. She married Bryson Burroughs, Curator of Paintings, in 1928; he died in 1934. In 1950, when she received an honorary degree from Cedar Crest, she was Associate Curator of Paintings at the Met. After her retirement, she moved to Baltimore, MD, and then Princeton, NJ, where she died. Her friendship with Cather is documented by more than seventy letters from Cather to Burroughs from 1925 through Cather’s late life and by a diary documenting her in-person interactions with Cather from 1925 through 1927.

Hambourg, Jan (1882-1947). Russian-born violinist; Isabelle McClung’s husband. Hambourg moved with his family to Toronto, Ontario, in 1910, where he was the head of the violin department at the Hambourg Conservatory and performed as part of the Hambourg Trio. He married Isabelle McClung in April 1916. Cather reacted negatively to both Hambourg and the marriage, but she gradually came to accept him. Beginning in the 1920s, Hambourg left the family conservatory and focused on solo violin performance in Europe. Cather enjoying long visits with Isabelle and Jan in Toronto in 1921 and France in 1923 and 1935. She dedicated The Professor’s House (1925) to him (“For Jan, because he likes narrative”) and asked him to make musical corrections to Lucy Gayheart (1935). When Isabelle died, Jan sent to Cather the three hundred letters from Cather to Isabelle in his possession, and Cather destroyed them.

Cather, Charles Douglas (1880-1938) (“Douglass”). Cather’s brother. Born in Virginia and raised in Red Cloud, NE, Charles was third child and second son of Charles and Virginia Cather. As an adolescent, Douglass Cather helped his father supervise rented farm properties and worked as a messenger for the local Burlington & Missouri Railroad office. In 1897 he left Red Cloud for a position in Sterling, CO, and then took a position with at the Cheyenne, WY, office of the Burlington Railroad. In 1908 he traveled to Mexico, an experience that his sister gave to Emil Bergson in O Pioneers! (1913). By 1910 he was working for the Santa Fe railroad and living in Winslow, AZ, where Willa Cather visited him in 1912. He later achieved success in the oil business in California. Although he never married, Cather notes that during the last six or seven years of his life he had a relationship with Dorothy Rogers. Douglass visited Cather in New York City in December of 1937. His death in June 1938 left her devastated. Douglass served as a prototype for one of the twin brothers in the Templeton family in “Old Mrs. Harris” (1932) and Hector the messenger boy brother in “The Best Years” (1948). His years working for the Burlington also inspired Cather’s many railroad worker characters in her novels, including Song of the Lark (1915) and The Professor’s House (1925). Few letters from this important sibling relationship have survived.

Menuhin, Yehudi (1916-1999). Violinist and conductor. Born in New York City to Moshe Mnuchin and Marutha Sher Mnuchin, immigrant Russian Jews by way of Palestine who changed the spelling of their surname and moved the family to San Francisco in 1918, Yehudi started violin lessons at age four and made his first public appearance in 1922. His two younger siblings, Hepzibah and Yaltah, studied piano, although his parents prioritized the musical career of their son over their daughters. With the support of patron Sidney Ehrman, the Menuhin family followed Yehudi’s teacher Louis Persinger to New York City. Ehrman also sponsored Yehudi for a year of study in Paris, France, with Georges Enesco. Yehudi began attracting national attention in 1927 and recorded and toured the U.S. in 1929. That year at Carnegie Hall, his performance of concertos by Bach, Beethoven, and Brahms with Bruno Walter and the Berlin Philharmonic inspired Albert Einstein to proclaim “now I know there is a God in Heaven”; Cather was also in the audience for this concert. In 1930, the Menuhin family took up residence in Paris, where Cather first met them in the home of Jan Hambourg and Isabelle McClung Hambourg and became a family friend; the children called her “Aunt Willa.” In the 1930s, the Menuhin family made the Ansonia Hotel its home base during their frequent stays in New York City. Cather took the Menuhin children on walks around Central Park, read Shakespeare with them, and gave them books as gifts. Yehudi’s sister Hepzibah accompanied her brother on piano; they made their first recording together in 1933 and often performed together. The family purchased a ranch in Los Gatos, CA, in 1935, and after a world tour that year, Yehudi withdrew from performing for 18 months and stayed at the ranch with his family. He returned to the concert stage in 1937 and met and married Nola Nicholas in 1938 (Hepzibah married Nola’s brother Lindsay). Yehudi and Nola had two children, Krov and Zamira. Cather enjoyed a late life visit from Hepzibah and Yehudi and their families in 1947. Cather corresponded regularly with the adult Yehudi, giving him personal advice, although only one original letter has surfaced. In 1947, Yehudi and Nola divorced and he married British ballerina Diana Gould, with whom he had two more children. Living in Europe, he continued his career as a performer and also became a conductor, established a school in England, and became a British citizen. He died in Berlin, Germany, while on tour.