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tapestry than in “the big pattern of dramatic action” enacted by its knights and heroes (Professor’s House 100
Moreover, he employs art (145), an artist (177), and a novelist (100) in other philosophical comparisons
lets itself live, when it refrains from separating its present state from its former states” (Time 100
common stereotypes of circus dressing rooms as "a sort of 'vision of sin'" and a "torture chamber" (100
mentions widespread rumors of "the blows and kicks of brutal managers" and "iniquity and champagne" (100
confess I felt a little queer when the lady overseer of the ladies' dressing room asked me to walk in" (100
Lincoln: U of Nebraska P, 1970. 2: 100-102. Print.———. "The Way of the World."
” (written 1916), whom managers chose less for her artistry than for her conscientious reliability (100
Peter, with the "playful pattern" of domestic life (100) and the "curious experience" of Tom Outland
like the stealthy cadet, stalks the Forresters as they “come down in the world like the rest” (Lost 100
the fact that he is “just mean enough to like to shoot along” their creek more than anywhere else (100
Merrill Skaggs likewise stresses Nellie's limited vision (99-100), as do those who see Nellie as an unreliable
seemed fluid to the eye under this constant change of accent, this ever-varying distribution of light” (100
as noted, was Pyle’s second medieval book, Otto of the Silver Hand, published in 1888 (fig. 4.2, p. 100