A Calendar of the Letters of Willa Cather

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To R. L. ScaifeDec. 1, [1917], from New YorkHarvard 

Chose Benda to do pen-and-ink drawings after seeing his drawings for Jacob Riis's The Old Town, for which Macmillan paid him $900. Expected to have about a third as many for her book. Benda will not do what they had decided on for the amount Houghton Mifflin is offering. Might do something simpler and easier for that amount. Will work with him on some new ideas. Is cutting the book so it will be very little longer than O Pioneers!.   Willa S. Cather   [Stout #400]


To E. K. BrownOct. 7, 1946Beinecke 

Reply has been delayed by repairs of apartment. Greatly appreciates his insightful reading of her work and generally agrees with his judgments. Is not writing much nowadays because low in spirits since the deaths of her brothers Douglass and Roscoe. Yes, Death Comes for the Archbishop is her best. It was hard to find a structure to pull together so many disparate elements in the Southwest. It simply came to her one day when watching the sunset color the Sangre de Cristo Mountains that the essence of the early Southwest was the story of the missionaries from France. Devoted herself to research on it from that day. Mary Austin claimed the book was written in her house, and now a woman named Wheelwright claiming it was written in hers. Actually, mostly written in Jaffrey, New Hampshire. Has always felt disappointed with O Pioneers!. Tried to put together the Norwegian and the French settlers, and they never mixed. Once, not long after it was published, met Louis Brandeis on the street and he told her that what he most liked about the novel was its sincerity of feeling for the place and people. Said that one of the writers in whom he did not find that sincerity was Edith Wharton. Never saw him again. Probably he didn't find her own next two books sincere either. Kept working and trying to learn. Believes Brown underestimates the early railroad builders; Jim Hill, for example, a person of great imagination and personal quality. Never gave great care to language per se in her books, but tried to let the language come to her that would express feeling for the subject. Is pleased by his praise of My Mortal Enemy. Agrees that Lucy Gayheart isn't very good, except in the last part, after the Gayhearts themselves are dead and the book centers on the effect they have in the businessman's memory. Wishes she'd had a better sense of form earlier in her career.   Willa Cather   [Stout #1741]