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PMLA, vol. 100, no. 1, January 1985, pp. 51–67.Sergeant, Elizabeth Shepley.

Brown.See Gates,“Dis and Dat” (100).

In 1896, soon after her arrival in Pittsburgh, an editor from Cosmopolitan offered her $100 for her story

Population of the 100 Largest Cities and Other Urban Places in the United States: 1790 to 1990.

tapestry than in “the big pattern of dramatic action” enacted by its knights and heroes (Professor’s House 100

the seamstress Augusta to clarify the difference between the Magnificat and the litany of Loreto (99–100

on the point of being brought together, on the eve of being arranged into mountain, plain, plateau” (100

the pagan/Judeo-Christian symbol of the spherical censer to the mesas and their “attendant clouds” (100

page of that edition reads: "The Inferno, by Henri Barbusse, Author of Under Fire; Translated from the 100

Part II, Chap. 3; The Old Beauty and Others 100 Note Relating to Cather In O Pioneers!

language as a "mare's nest created by grammarians to keep the lower classes ignorant and in place" (Kelly 100

close, and was tainted with gaseous odors which had been tormented forth by the processes of science. (100

seemed fluid to the eye under this constant change of accent, the ever varying distribution of light” (100

by Joseph Urgo, who defines religion as a cultural response to "the non-material essence of life" (100

Lincoln: U of Nebraska P, 1996. 100–114.Slote, Bernice, and Virginia Faulkner, ed.

discussions of Benjamin's philosophy of the city include Buck-Morss; Gilloch; Caygill 118-48; and Cutler 100

blesses them and sends them on their way, he feels only "inadequacy and spiritual defeat" (Archbishop 100

Peter's family, "back in the years when holidays were holidays indeed" (100-101) and his daughters' "

Moreover, he employs art (145), an artist (177), and a novelist (100) in other philosophical comparisons

lets itself live, when it refrains from separating its present state from its former states” (Time 100

Bloom(81-89), and Grumbach.For representative nonbiographical interpretations, see Stouck(Imagination 100

might have looked like this when the dry land was drawn up out of the deep, and all was confusion. (99–100

common stereotypes of circus dressing rooms as "a sort of 'vision of sin'" and a "torture chamber" (100

mentions widespread rumors of "the blows and kicks of brutal managers" and "iniquity and champagne" (100

confess I felt a little queer when the lady overseer of the ladies' dressing room asked me to walk in" (100

Lincoln: U of Nebraska P, 1970. 2: 100-102. Print.———. "The Way of the World."

on him”; his mother, too, feels that circumstances have conspired to ensnare her son in “a net” (99–100

” (written 1916), whom managers chose less for her artistry than for her conscientious reliability (100

industry, most of whom by the 1890s were attending prestigious preparatory schools elsewhere (Couvares 100

$3,000 for repairs to the high school’s physical plant, $1,000 for fuel, $2,500 for janitor services, $100

PMLA 100 (1985): 51-67.Stout, Janis P. Willa Cather: The Writer and Her World.

The conflict cost thirteen thousand American lives and nearly $100 million.

leaves, red California grapes, and two shapely, long-necked russet pears,” served with linen napkins (100

Peters swaggers too vehemently that the Forresters "have come down in the world" (100) and exults that

wheat field is "quite profitable," allowing him to pay the Forresters a good, and much needed, rent (100

Norway, which is based on the reality of common life, saddened by the "worldliness and materialism" (100

Such a reading, which attributes to a nearly 100-year-old story the same ideological perspective as the

immobility and frustration, a tense figure" whose fists are "clenched in an attitude of arrested action" (100

The sky closes like a lid shut down over the world" and there is no West...anymore" (100).

romantic caught in a nightmarish world of realism," someone who becomes the "dupe of appearance" (97, 100

The human brain is the world's most complex biological phenomenon, with 100 billion neurons and 100 trillion

PMLA 100 (1985): 51-67.Sergeant, Elizabeth Shepley. Willa Cather: A Memoir. 1953.

PMLA 100. 1 (January 1985): 51-67.Sergeant, Elizabeth Shepley. Willa Cather: A Memoir.

One of Ours 421–22 with Cather’s earlier description in Willa Cather in Europe 93–100).

absolute and infinitely sweet,” “vested with a peace that passes understanding” (Willa Cather in Europe 100

New York: Knopf, 1956. 93–100.Cather, Willa. Letters to Dorothy Canfield Fisher.

New York: Knopf, 1956. 90–100.Lewis, Edith. Willa Cather Living.

PMLA 100 (1985): 51–67.Smetanova, J. “Beloved Artist.” Art and Artists 13 (1978): 53.Stouck, David.

Peter, with the "playful pattern" of domestic life (100) and the "curious experience" of Tom Outland

that it seemed only men possessed, such women decided to cross rather than to blur gender boundaries. (100

discussions of the revisions and publishing history of The Renaissance, see Donoghue 65-69; Dowling 98-100

negotiate the total image: “all the normal ways in which pigment, texture, and tone declare a likeness” (100

. identities the culture wished to keep still, pre-eminently those of the nude and the prostitute” (100

It was indeed a feast of modern art: 170 paintings plus 100 drawings and watercolors that collectively

continual circling” and freedom to “go backward and forward” from one pole to its opposite (“Joseph” 100

Jean-François Millet, Peasants Bringing Home a Calf Born in the Fields, 1864, oil on canvas, 81.1 x 100

Chicago.Jean-François Millet, Peasants Bringing Home a Calf Born in the Fields, 1864, oil on canvas, 81.1 x 100

Jules Adolphe Breton, The Song of the Lark, 1884, oil on canvas, 81.1 x 100 cm, Henry Field Memorial

the Art Institute of Chicago.Jules Adolphe Breton, The Song of the Lark, 1884, oil on canvas, 81.1 x 100

Peter at his own word and have failed to consider his life-style (Stouck 100-104).

like the stealthy cadet, stalks the Forresters as they “come down in the world like the rest” (Lost 100

the fact that he is “just mean enough to like to shoot along” their creek more than anywhere else (100

is generally uninterested in and largely uninvolved in the “domestic drama” (The Professor’s House 100

Merrill Skaggs likewise stresses Nellie's limited vision (99-100), as do those who see Nellie as an unreliable

seemed fluid to the eye under this constant change of accent, this ever-varying distribution of light” (100

as noted, was Pyle’s second medieval book, Otto of the Silver Hand, published in 1888 (fig. 4.2, p. 100

’s survival has to do with his final conscious transcendence of this conflict (Cather’s Imagination 100

Enemy 23), while the church at Ácoma "was more like a fortress than a place of worship" (Archbishop 100