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Merrill Skaggs likewise stresses Nellie's limited vision (99-100), as do those who see Nellie as an unreliable

get the truth out of" Marian Forrester: that is, to explain her by imposing his fictions upon her (100

blesses them and sends them on their way, he feels only "inadequacy and spiritual defeat" (Archbishop 100

Bloom(81-89), and Grumbach.For representative nonbiographical interpretations, see Stouck(Imagination 100

Goethe, the Lyrist: 100 Poems in Translation. Introduction by Edwin H. Zeydel.

discussions of the revisions and publishing history of The Renaissance, see Donoghue 65-69; Dowling 98-100

the Pacific has now, literally, entered its twilight: "there was no West, in that sense, anymore" (100

Brown.See Gates,“Dis and Dat” (100).

In 1896, soon after her arrival in Pittsburgh, an editor from Cosmopolitan offered her $100 for her story

Population of the 100 Largest Cities and Other Urban Places in the United States: 1790 to 1990.

Lincoln: U of Nebraska P, 1996. 100–114.Slote, Bernice, and Virginia Faulkner, ed.

seemed fluid to the eye under this constant change of accent, the ever varying distribution of light” (100

continual circling” and freedom to “go backward and forward” from one pole to its opposite (“Joseph” 100

The circumstances leading to the discovery, restoration, and display of these tapestries (Cavallo 100

In The Professor’s House, Cather comments on this aspect of the Bayeux tapestry (100).

See Boudet 5–7.The Bayeux tapestry is mentioned in The Professor’s House (100).Relative to these virtues

’s survival has to do with his final conscious transcendence of this conflict (Cather’s Imagination 100

One of Ours 421–22 with Cather’s earlier description in Willa Cather in Europe 93–100).

absolute and infinitely sweet,” “vested with a peace that passes understanding” (Willa Cather in Europe 100

New York: Knopf, 1956. 93–100.Cather, Willa. Letters to Dorothy Canfield Fisher.

New York: Knopf, 1956. 90–100.Lewis, Edith. Willa Cather Living.

on him”; his mother, too, feels that circumstances have conspired to ensnare her son in “a net” (99–100

on the point of being brought together, on the eve of being arranged into mountain, plain, plateau” (100

the pagan/Judeo-Christian symbol of the spherical censer to the mesas and their “attendant clouds” (100

PMLA 100 (1985): 51–67.Smetanova, J. “Beloved Artist.” Art and Artists 13 (1978): 53.Stouck, David.

Note: from Montreal, Burlington is 100 miles; from Boston, 215 miles; from New York City, 290 miles;

Jean-François Millet, Peasants Bringing Home a Calf Born in the Fields, 1864, oil on canvas, 81.1 x 100

Chicago.Jean-François Millet, Peasants Bringing Home a Calf Born in the Fields, 1864, oil on canvas, 81.1 x 100

Jules Adolphe Breton, The Song of the Lark, 1884, oil on canvas, 81.1 x 100 cm, Henry Field Memorial

the Art Institute of Chicago.Jules Adolphe Breton, The Song of the Lark, 1884, oil on canvas, 81.1 x 100

negotiate the total image: “all the normal ways in which pigment, texture, and tone declare a likeness” (100

. identities the culture wished to keep still, pre-eminently those of the nude and the prostitute” (100

is generally uninterested in and largely uninvolved in the “domestic drama” (The Professor’s House 100

leaves, red California grapes, and two shapely, long-necked russet pears,” served with linen napkins (100

the seamstress Augusta to clarify the difference between the Magnificat and the litany of Loreto (99–100

It was indeed a feast of modern art: 170 paintings plus 100 drawings and watercolors that collectively

and may now been seen in very much the same condition as Cather would have encountered them almost 100

(Cather, "Coming, Aphrodite") The entrance to NYU's Main Building, built in 1895, 100 Washington Square

Hosts: Nora & Ed Barker. www.compassroseinn.com Shorecrest Lodge - 100 Rte. 776, Grand Manan, NB, E5G

Peter at his own word and have failed to consider his life-style (Stouck 100-104).

Peter's family, "back in the years when holidays were holidays indeed" (100-101) and his daughters' "

Such a reading, which attributes to a nearly 100-year-old story the same ideological perspective as the

Peters swaggers too vehemently that the Forresters "have come down in the world" (100) and exults that

wheat field is "quite profitable," allowing him to pay the Forresters a good, and much needed, rent (100

Norway, which is based on the reality of common life, saddened by the "worldliness and materialism" (100

immobility and frustration, a tense figure" whose fists are "clenched in an attitude of arrested action" (100

The sky closes like a lid shut down over the world" and there is no West...anymore" (100).

romantic caught in a nightmarish world of realism," someone who becomes the "dupe of appearance" (97, 100

The conflict cost thirteen thousand American lives and nearly $100 million.

PMLA 100. 1 (January 1985): 51-67.Sergeant, Elizabeth Shepley. Willa Cather: A Memoir.

My Ántonia at 100: The Ongoing Story Our short film, “Willa Cather’s My Ántonia at 100: The Ongoing Story

Willa Cather's My Ántonia at 100: The Ongoing Story In 2018, the Willa Cather Archive hosted a series

celebrates the 100th Anniversary of My Ántonia Willa Cather’s most celebrated novel, My Ántonia, turns 100

DIEPPE AND ROUEN. (1) Nebraska State Journal, 31 August 1902, p. 16. (2) WCE, pp. 93‑100. (3) The World

THE 100 WORST BOOKS AND THEY THAT READ THEM. (1) Pittsburgh Gazette, 29 November 1903, literary section

Title incorrectly transcribed, 'The 100 Worst Books and They That Wrote Them'. 1904 D566.

DIEPPE AND ROUEN. (1) Nebraska State Journal, 31 August 1902, p. 16. (2) WCE, pp. 93‑100. (3) The World

Title incorrectly transcribed, 'The 100 Worst Books and They That Wrote Them'. 1904 D566.

Part II, Chap. 3; The Old Beauty and Others 100 Note Relating to Cather In O Pioneers!