Skip to main content

Search Results

Filter by:

Date


Dates in both fields not required
Entering in only one field Searches
Year, Month, & Day Single day
Year & Month Whole month
Year Whole year
Month & Day 1873-#-# to 1947-#-#
Month 1873-#-1 to 1947-#-31
Day 1873-01-# to 1947-12-#

Year

See more
Search : 不凡剑仙100集免费播放下载安装

90 results

My Autobiography

  • Date: October 1913
  • Creator(s): Cather, Willa, 1873-1947 | Willa Sibert Cather
  • Category: Writings
Text:

At the end of a year, therefore, my mother sold the farm back to my grandfather McClure for £100 (five

My Autobiography

  • Date: February 1914
  • Creator(s): Cather, Willa, 1873-1947 | Willa Sibert Cather
  • Category: Writings
Text:

I figured that I ought to be able to sell that story to 100 newspapers throughout the country, at $5

Nature and Human Nature: Interdisciplinary Convergences on Cather's Blue Mesa

  • Date: 2003
  • Creator(s): Glen A. Love | Cheryll Glotfelty | Joseph Urgo | Patrick K. Dooley | Joseph W. Meeker | Thomas J. Lyon | Susan J. Rosowski | Janis P. Stout | Jan Goggans | Guy Reynolds | Philip Kennicott | Merrill Maguire Skaggs | Ann Moseley | Charles Johanningsmeier | Ann Romines | Mark A. R. Facknitz
  • Category: Scholarship
Text:

The human brain is the world's most complex biological phenomenon, with 100 billion neurons and 100 trillion

New York Tour 2 | Willa Cather Archive

  • Creator(s): Isabella Caruso
  • Category: Community
  • Source: Willa Cather Archive scholarly work
Text:

(Cather, "Coming, Aphrodite") The entrance to NYU's Main Building, built in 1895, 100 Washington Square

O Pioneers!

  • Date: 1992
  • Creator(s): Cather, Willa, 1873-1947 | Willa Cather
  • Category: Writings
Text:

Nebraska has more than 100 species of grasshoppers—sometimes called locusts from the Latin word for grasshopper

Obscure Destinies

  • Date: 2009
  • Creator(s): Willa Cather
  • Category: Writings
Text:

railroad were responsible for the construction and maintenance of their section of track—usually about 100

built the first brick store building in Red Cloud in 188 3; with later additions it extended about 100

final draft for that settingcopy, worked on after another version was sent to : there are well over 100

The relation of the two typescripts to the text is unclear: although there are nearly 100 readings unique

The Observant Eye, the Art of Illustration, and Willa Cather's My Ántonia

  • Date: 2003
  • Creator(s): Glen A. Love | Cheryll Glotfelty | Joseph Urgo | Patrick K. Dooley | Joseph W. Meeker | Thomas J. Lyon | Susan J. Rosowski | Janis P. Stout | Jan Goggans | Guy Reynolds | Philip Kennicott | Merrill Maguire Skaggs | Ann Moseley | Charles Johanningsmeier | Ann Romines | Mark A. R. Facknitz
  • Category: Scholarship
Text:

PMLA 100 (1985): 51-67.Sergeant, Elizabeth Shepley. Willa Cather: A Memoir. 1953.

One of Ours

  • Date: 2006
  • Creator(s): Cather, Willa, 1873-1947 | Willa Cather
  • Category: Writings
Text:

According to Bladen: The First 100 Years , telephone service came to that town between 1900 and 1914.

to the character Enid of Tennyson's tale "Enid and Geraint" in Idylls of the King (see Rosowski 99-100

Out of the Mother: Loss in My Ántonia

  • Date: 1993
  • Category: Scholarship
Text:

PMLA 100. 1 (January 1985): 51-67.Sergeant, Elizabeth Shepley. Willa Cather: A Memoir.

"Pershing's Crusaders": G.P. Cather, Claude Wheeler, and the AEF Soldier in France

  • Date: 2010
  • Creator(s): Françoise Palleau-Papin | Robert Thacker | Charles A. Peek | Marc Chénetier | Elsa Nettels | Mark J. Madigan | Richard C. Harris | Janet Sharistanian | Diane Prenatt | Julie Olin-Ammentorp | Ann Moseley | Merrill Maguire Skaggs | Stéphanie Durrans | David H. Porter | Jean-François Leroux | Joseph C. Murphy | Mathieu Duplay | Cristina Giorcelli | Andrew Jewell | John N. Swift | Joseph R. Urgo | Melissa J. Homestead | Evelyn I. Funda | Manuel Broncano | Ann Romines | Joshua Doležal | John J. Murphy
  • Category: Scholarship
Text:

One of Ours 421–22 with Cather’s earlier description in Willa Cather in Europe 93–100).

absolute and infinitely sweet,” “vested with a peace that passes understanding” (Willa Cather in Europe 100

New York: Knopf, 1956. 93–100.Cather, Willa. Letters to Dorothy Canfield Fisher.

New York: Knopf, 1956. 90–100.Lewis, Edith. Willa Cather Living.

Picturing Their Ántonia(s): Mikoláš Aleš and the Partnership of W. T. Benda and Willa Cather

  • Date: 2010
  • Creator(s): Françoise Palleau-Papin | Robert Thacker | Charles A. Peek | Marc Chénetier | Elsa Nettels | Mark J. Madigan | Richard C. Harris | Janet Sharistanian | Diane Prenatt | Julie Olin-Ammentorp | Ann Moseley | Merrill Maguire Skaggs | Stéphanie Durrans | David H. Porter | Jean-François Leroux | Joseph C. Murphy | Mathieu Duplay | Cristina Giorcelli | Andrew Jewell | John N. Swift | Joseph R. Urgo | Melissa J. Homestead | Evelyn I. Funda | Manuel Broncano | Ann Romines | Joshua Doležal | John J. Murphy
  • Category: Scholarship
Text:

PMLA 100 (1985): 51–67.Smetanova, J. “Beloved Artist.” Art and Artists 13 (1978): 53.Stouck, David.

Public Outreach and the Willa Cather Archive

  • Category: Community
  • Source: Willa Cather Archive scholarly work
Text:

My Ántonia at 100: The Ongoing Story Our short film, “Willa Cather’s My Ántonia at 100: The Ongoing Story

Willa Cather's My Ántonia at 100: The Ongoing Story In 2018, the Willa Cather Archive hosted a series

The Rise of Godfrey St. Peter: Cather's Modernism and the Howellsian Pretext

  • Date: 2015
  • Creator(s): Melissa J. Homestead | Charles Johanningsmeier | Leila C. Nadir | Susan Meyer | Steven B. Shively | Janis Stout | John Jacobs | Deborah Carlin | Elsa Nettels | John J. Murphy | Joseph C. Murphy | Ann Moseley | Richard C. Harris | Robert Thacker | David Porter | Matthew Hokom | Sarah Stoeckl
  • Category: Scholarship
Text:

Peter, with the "playful pattern" of domestic life (100) and the "curious experience" of Tom Outland

Roscoe Cather (February 22, 1940)

  • Date: February 22, 1940
  • Creator(s): Willa Cather
  • Category: Writings
  • Source: University of Nebraska–Lincoln Libraries, Archives & Special Collections, Lincoln, NE
Text:

I have sent $100 to meet Mollie's immediate expenses; $50 to Carrie, thinking Mollie might be too feeble

Roscoe Cather (February 24 [1940])

  • Date: February 24 [1940]
  • Creator(s): Willa Cather
  • Category: Writings
  • Source: University of Nebraska–Lincoln Libraries, Archives & Special Collections, Lincoln, NE
Text:

California.NEW YORK N.Y.FEB 244.30 PMFebruary 24thDear Roscoe;Crowell writes that you payed out $152 90/100

Roscoe Cather (May 16, 1936)

  • Date: May 16, 1936
  • Creator(s): Willa Cather
  • Category: Writings
  • Source: University of Nebraska–Lincoln Libraries, Archives & Special Collections, Lincoln, NE
Text:

I figure that from Lake Placid to the Island and back to Lake Placid would cost $100 per twin, and I

Roscoe Cather, Carrie Miner Sherwood, and Elsie Cather (December 6, 1940)

  • Date: December 6, 1940
  • Creator(s): Willa Cather
  • Category: Writings
  • Source: University of Nebraska–Lincoln Libraries, Archives & Special Collections, Lincoln, NE
Text:

He advised me to autograph only 100 a day, but I had found so much awaiting me after I got home from

Sapphira and the Slave Girl

  • Date: 2009
  • Creator(s): Willa Cather
  • Category: Writings
Text:

agrarian society," where less privileged (often slave) women frequently performed outdoor labor (Clinton, 100

country doctor," relies on this book indicates his lack of specialized professional training (March 99–100

women suffered from respiratory difficulties" and internal injuries brought on by corsets (Clinton, 100

Quercus palustris , pin oak, has leaves with five to seven pointed lobes and grows to a height of 100

Shadows on the Rock

  • Date: 1997
  • Creator(s): Willa Cather
  • Category: Writings
Text:

least through page 86; thereafter only the handwritten, underlined sequence is visible (except on p. 100

Pages numbered 35, 74, 100, 111, and 218 are long sheets; the rest are standard size.

Pagination runs 1–46 (39 is numbered 39 & 40), 47, 47.5, 48, 48.5, 49– 51, 51.5, 52–74, 74.5, 75–91, 98–100

For example, chapter numbers often differ in the two texts. page 100 is a long sheet beginning with a

The last two lines of page 100 do not appear on 98 but at the top of page 99; repeats them at the top

Social (Re)Visioning in the Fields of My Ántonia

  • Date: 2003
  • Creator(s): Glen A. Love | Cheryll Glotfelty | Joseph Urgo | Patrick K. Dooley | Joseph W. Meeker | Thomas J. Lyon | Susan J. Rosowski | Janis P. Stout | Jan Goggans | Guy Reynolds | Philip Kennicott | Merrill Maguire Skaggs | Ann Moseley | Charles Johanningsmeier | Ann Romines | Mark A. R. Facknitz
  • Category: Scholarship
Text:

that it seemed only men possessed, such women decided to cross rather than to blur gender boundaries. (100

"Something Soft and Wild and Free": Willa Cather's Sexual Aesthetics

  • Date: 2003
  • Creator(s): David Stouck | Richard Millington | Françoise Palleau-Papin | Richard C. Harris | Deborah Lindsay Williams | Ann Moseley | Helen M. Buss | Deborah Karush | Charles W. Mignon | Steven Trout | Nadeane Trowse | Klaus P. Stich | John P. Anders | Michael W. Price | Elisa Nettels | Loretta Wasserman | Joan Dargan | Peter M. Sullivan
  • Category: Scholarship
Text:

discussions of the revisions and publishing history of The Renaissance, see Donoghue 65-69; Dowling 98-100

"The Cruelty of Physical Things": Picture Writing and Violence in Willa Cather's "The Profile"

  • Date: 2006
  • Creator(s): John N. Smith | Sarah Clere | Kelsey Squire | Mark A. R. Facknitz | Michelle E. Moore | Richard C. Harris | Amber Harris Leichner | Matthew Lavin | Julie Olin-Ammentorp | Diane Prenatt | Janis P. Stout | Joyce Kessler | John H. Flannigan
  • Category: Scholarship
Text:

negotiate the total image: “all the normal ways in which pigment, texture, and tone declare a likeness” (100

. identities the culture wished to keep still, pre-eminently those of the nude and the prostitute” (100

"The Nude Had Descended the Staircase": Katherine Anne Porter Looks at Willa Cather Looking at Modern Art

  • Date: 2006
  • Creator(s): John N. Smith | Sarah Clere | Kelsey Squire | Mark A. R. Facknitz | Michelle E. Moore | Richard C. Harris | Amber Harris Leichner | Matthew Lavin | Julie Olin-Ammentorp | Diane Prenatt | Janis P. Stout | Joyce Kessler | John H. Flannigan
  • Category: Scholarship
Text:

It was indeed a feast of modern art: 170 paintings plus 100 drawings and watercolors that collectively

'The Thrill of His Own Poor Little Nerve': Art and the Ambivalence of Voice in My Mortal Enemy

  • Date: 2010
  • Creator(s): Françoise Palleau-Papin | Robert Thacker | Charles A. Peek | Marc Chénetier | Elsa Nettels | Mark J. Madigan | Richard C. Harris | Janet Sharistanian | Diane Prenatt | Julie Olin-Ammentorp | Ann Moseley | Merrill Maguire Skaggs | Stéphanie Durrans | David H. Porter | Jean-François Leroux | Joseph C. Murphy | Mathieu Duplay | Cristina Giorcelli | Andrew Jewell | John N. Swift | Joseph R. Urgo | Melissa J. Homestead | Evelyn I. Funda | Manuel Broncano | Ann Romines | Joshua Doležal | John J. Murphy
  • Category: Scholarship
Text:

continual circling” and freedom to “go backward and forward” from one pole to its opposite (“Joseph” 100

Thea at the Art Institute

  • Date: 2006
  • Creator(s): John N. Smith | Sarah Clere | Kelsey Squire | Mark A. R. Facknitz | Michelle E. Moore | Richard C. Harris | Amber Harris Leichner | Matthew Lavin | Julie Olin-Ammentorp | Diane Prenatt | Janis P. Stout | Joyce Kessler | John H. Flannigan
  • Category: Scholarship
Text:

Jean-François Millet, Peasants Bringing Home a Calf Born in the Fields, 1864, oil on canvas, 81.1 x 100

Chicago.Jean-François Millet, Peasants Bringing Home a Calf Born in the Fields, 1864, oil on canvas, 81.1 x 100

Jules Adolphe Breton, The Song of the Lark, 1884, oil on canvas, 81.1 x 100 cm, Henry Field Memorial

the Art Institute of Chicago.Jules Adolphe Breton, The Song of the Lark, 1884, oil on canvas, 81.1 x 100

This Is a Frame-Up: Mother Eve in The Professor's House

  • Date: 1993
  • Category: Scholarship
Text:

Peter at his own word and have failed to consider his life-style (Stouck 100-104).

The Trafficking of Mrs. Forrester: Prostitution and Willa Cather’s A Lost Lady

  • Date: 2017
  • Creator(s): John J. Murphy | Steven B. Shively | Michelle E. Moore | Joseph C. Murphy | Richard C. Harris | Robert Thacker | James A. Jaap | David Porter | Charmion Gustke | Timothy W. Bintrim | Mark J. Madigan | Ann Moseley | Diane Prenatt | Joshua Doležal | Angela Conrad | Andrew Jewell | Janis Stout
  • Category: Scholarship
Text:

like the stealthy cadet, stalks the Forresters as they “come down in the world like the rest” (Lost 100

the fact that he is “just mean enough to like to shoot along” their creek more than anywhere else (100

Willa Cather: A Bibliography

  • Category: Writings
  • Source: Willa Cather Archive scholarly work
Text:

DIEPPE AND ROUEN. (1) Nebraska State Journal, 31 August 1902, p. 16. (2) WCE, pp. 93‑100. (3) The World

THE 100 WORST BOOKS AND THEY THAT READ THEM. (1) Pittsburgh Gazette, 29 November 1903, literary section

Title incorrectly transcribed, 'The 100 Worst Books and They That Wrote Them'. 1904 D566.

DIEPPE AND ROUEN. (1) Nebraska State Journal, 31 August 1902, p. 16. (2) WCE, pp. 93‑100. (3) The World

Title incorrectly transcribed, 'The 100 Worst Books and They That Wrote Them'. 1904 D566.

Willa Cather and Henry Blake Fuller: More Building Blocks for The Professor's House

  • Date: 2006
  • Creator(s): John N. Smith | Sarah Clere | Kelsey Squire | Mark A. R. Facknitz | Michelle E. Moore | Richard C. Harris | Amber Harris Leichner | Matthew Lavin | Julie Olin-Ammentorp | Diane Prenatt | Janis P. Stout | Joyce Kessler | John H. Flannigan
  • Category: Scholarship
Text:

is generally uninterested in and largely uninvolved in the “domestic drama” (The Professor’s House 100

Willa Cather and the Example of Henry James

  • Date: 2015
  • Creator(s): Melissa J. Homestead | Charles Johanningsmeier | Leila C. Nadir | Susan Meyer | Steven B. Shively | Janis Stout | John Jacobs | Deborah Carlin | Elsa Nettels | John J. Murphy | Joseph C. Murphy | Ann Moseley | Richard C. Harris | Robert Thacker | David Porter | Matthew Hokom | Sarah Stoeckl
  • Category: Scholarship
Text:

Merrill Skaggs likewise stresses Nellie's limited vision (99-100), as do those who see Nellie as an unreliable

Willa Cather, Ernest L. Blumenschein, and “The Painting of Tomorrow”

  • Date: 2017
  • Creator(s): John J. Murphy | Steven B. Shively | Michelle E. Moore | Joseph C. Murphy | Richard C. Harris | Robert Thacker | James A. Jaap | David Porter | Charmion Gustke | Timothy W. Bintrim | Mark J. Madigan | Ann Moseley | Diane Prenatt | Joshua Doležal | Angela Conrad | Andrew Jewell | Janis Stout
  • Category: Scholarship
Text:

seemed fluid to the eye under this constant change of accent, this ever-varying distribution of light” (100

Willa Cather, Howard Pyle, and “The Precious Message of Romance”

  • Date: 2017
  • Creator(s): John J. Murphy | Steven B. Shively | Michelle E. Moore | Joseph C. Murphy | Richard C. Harris | Robert Thacker | James A. Jaap | David Porter | Charmion Gustke | Timothy W. Bintrim | Mark J. Madigan | Ann Moseley | Diane Prenatt | Joshua Doležal | Angela Conrad | Andrew Jewell | Janis Stout
  • Category: Scholarship
Text:

as noted, was Pyle’s second medieval book, Otto of the Silver Hand, published in 1888 (fig. 4.2, p. 100

Willa Cather in Space: Exile, Vagrancy, and Knowing

  • Date: 2010
  • Creator(s): Françoise Palleau-Papin | Robert Thacker | Charles A. Peek | Marc Chénetier | Elsa Nettels | Mark J. Madigan | Richard C. Harris | Janet Sharistanian | Diane Prenatt | Julie Olin-Ammentorp | Ann Moseley | Merrill Maguire Skaggs | Stéphanie Durrans | David H. Porter | Jean-François Leroux | Joseph C. Murphy | Mathieu Duplay | Cristina Giorcelli | Andrew Jewell | John N. Swift | Joseph R. Urgo | Melissa J. Homestead | Evelyn I. Funda | Manuel Broncano | Ann Romines | Joshua Doležal | John J. Murphy
  • Category: Scholarship
Text:

’s survival has to do with his final conscious transcendence of this conflict (Cather’s Imagination 100

Willa Cather's Great Emersonian Environmental Quartet

  • Date: 2003
  • Creator(s): Glen A. Love | Cheryll Glotfelty | Joseph Urgo | Patrick K. Dooley | Joseph W. Meeker | Thomas J. Lyon | Susan J. Rosowski | Janis P. Stout | Jan Goggans | Guy Reynolds | Philip Kennicott | Merrill Maguire Skaggs | Ann Moseley | Charles Johanningsmeier | Ann Romines | Mark A. R. Facknitz
  • Category: Scholarship
Text:

Enemy 23), while the church at Ácoma "was more like a fortress than a place of worship" (Archbishop 100

Willa Cather's One of Ours and the Iconography of Remembrance

  • Date: 2003
  • Creator(s): David Stouck | Richard Millington | Françoise Palleau-Papin | Richard C. Harris | Deborah Lindsay Williams | Ann Moseley | Helen M. Buss | Deborah Karush | Charles W. Mignon | Steven Trout | Nadeane Trowse | Klaus P. Stich | John P. Anders | Michael W. Price | Elisa Nettels | Loretta Wasserman | Joan Dargan | Peter M. Sullivan
  • Category: Scholarship
Text:

the Pacific has now, literally, entered its twilight: "there was no West, in that sense, anymore" (100

Willa Cather's Subverted Endings and Gendered Time

  • Date: 1990
  • Creator(s): David Stouck | John J. Murphy | Ann W. Fisher-Wirth | John N. Swift | Susan J. Rosowski | Jean Schwind | James Woodress | Mark J. Madigan | David Harrell | Ann Romines | Cynthia K. Briggs | Richard Harris
  • Category: Scholarship
Text:

get the truth out of" Marian Forrester: that is, to explain her by imposing his fictions upon her (100

Writing and/as Weaving: Shadows on the Rock and La dame à la licorne

  • Date: 2010
  • Creator(s): Françoise Palleau-Papin | Robert Thacker | Charles A. Peek | Marc Chénetier | Elsa Nettels | Mark J. Madigan | Richard C. Harris | Janet Sharistanian | Diane Prenatt | Julie Olin-Ammentorp | Ann Moseley | Merrill Maguire Skaggs | Stéphanie Durrans | David H. Porter | Jean-François Leroux | Joseph C. Murphy | Mathieu Duplay | Cristina Giorcelli | Andrew Jewell | John N. Swift | Joseph R. Urgo | Melissa J. Homestead | Evelyn I. Funda | Manuel Broncano | Ann Romines | Joshua Doležal | John J. Murphy
  • Category: Scholarship
Text:

The circumstances leading to the discovery, restoration, and display of these tapestries (Cavallo 100

In The Professor’s House, Cather comments on this aspect of the Bayeux tapestry (100).

See Boudet 5–7.The Bayeux tapestry is mentioned in The Professor’s House (100).Relative to these virtues

Youth and Age in the Old and New Worlds: Willa Cather and A. E. Housman

  • Date: 2003
  • Creator(s): David Stouck | Richard Millington | Françoise Palleau-Papin | Richard C. Harris | Deborah Lindsay Williams | Ann Moseley | Helen M. Buss | Deborah Karush | Charles W. Mignon | Steven Trout | Nadeane Trowse | Klaus P. Stich | John P. Anders | Michael W. Price | Elisa Nettels | Loretta Wasserman | Joan Dargan | Peter M. Sullivan
  • Category: Scholarship
Text:

Goethe, the Lyrist: 100 Poems in Translation. Introduction by Edwin H. Zeydel.

Youth and the Bright Medusa

  • Date: 2009
  • Creator(s): Cather, Willa, 1873-1947 | Willa Cather
  • Category: Writings
Text:

The scanned version was made on a hp4c flatbed scanner; the keyed version was made using an OCR Pro 100

These files in the scanned version typically check out at 98–100 percent accuracy, depending of the quality

Zoë Akins (August 30 [1936])

  • Date: August 30 [1936]
  • Creator(s): Willa Cather
  • Category: Writings
  • Source: Huntington Library, San Marino, CA
Text:

In my own town two months when the heat did not drop below 100 for a single day, and went as high as